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Countries / Regions
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Journals
Output Type
El Fondo Internacional para la Diversidad Cultural: Una nueva herramienta para la cooperación en el audiovisual
In: Diversidad e industria audiovisual: el desafío cultural del siglo XXI
México, DF: Fondo de Cultura Económica (FCE) (2017), pp. 109-143
Bilder des Alters und des Alterns in Film und Fernsehen: Eine Arbeitsbibliographie
Medienwissenschaft Berichte und Papiere, issue 175 (2017), 29 pp.
"Die folgende kleine Bibliographie versammelt Arbeiten, die sich mit den Dramaturgien und Konzeptionen der Altersdarstellung in Film und Fernsehen befassen. Es finden sich keine Untersuchungen zum rezeptivven oder produktiven Mediengebrauch Älterer. Die zahlreichen bis heute vorliegenden Inhaltsana
...
Offenes Erzählen: Experimente im zeitgenössischen indischen Dokumentarfilm
Bielefeld: transcript Verlag (2017), 203 pp.
"Der Dokumentarfilm gilt in Indien als kommerziell schwer auswertbares Genre - und stellt dennoch ein Feld dar, in welchem Experimente entstehen können. Angesichts der gegenwärtigen gesellschaftlichen Umbrüche untersucht Ulrike Mothes den aktuellen indischen Dokumentarfilm hinsichtlich seiner fil
...
Latin American Women Filmmakers: Production, Politics, Poetics
London et al.: Bloomsbury Academic (2017), xx, 268 pp.
"Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and
...
(Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire
Oxford et al.: Peter Lang (2017), xvi, 287 pp.
"The fortieth anniversary of the independence of the African countries colonized by Portugal presents a valuable opportunity to reassess how colonialism has been «imagined» through the medium of the moving image. The essays collected in this volume investigate Portuguese colonialism and its filmic
...
Children's TV and Digital Media in the Arab World: Childhood, Screen Culture and Education
Deep Insights
London; New York: Tauris (2017), xiii, 248 pp.
"Children, defined internationally as under-18s, account for some 40 per cent of Arab populations and the proportion of under-fives is correspondingly large. Yet studies of children's media and child audiences in the region are as scarce as truly popular locally produced media content aimed at child
...
District Thailand: Identification, Spectatorship, and The Hunger Games in Thailand
Participations: Journal of Audience & Reception Studies, volume 14, issue 1 (2017), pp. 88-107
"On May 22nd 2014, The Kingdom of Thailand experienced its latest successful military coup. A few months later, in November 2014, The Hunger Games: Mockingjay Part 1 was released in Thai cinemas sparking new protests using symbols from the series. With this article, I seek to examine the reception o
...
The Colonial Documentary Film in South and South-East Asia
Edinburgh: Edinburgh University Press (2017), x, 246 pp.
Nollywood Central
London: Palgrave Macmillan; British Film Institute (bfi) (2016), 175 pp.
"Nollywood is often portrayed by the popular press as an unruly industry, with mysteriously fast and cheap production and shadowy distribution networks. In the first overview of Nigeria's burgeoning video film industry, Jade L. Miller reveals that this portrayal is over-simplistic and often untrue.
...
The Bible revisited: Neue Zugänge im Film
Marburg: Schüren (2016), 352 pp.
40.doc: Una historia del documental argentino en 40 películas
Buenos Aires: Margen Izquierdo (2016), 307 pp.
Ghost Movies in Southeast Asia and Beyond: Narratives, Cultural Contexts, Audiences
Leiden; Boston, MA: Brill (2016), xiii, 295 pp.
"Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became m
...
The Bible in Motion: A Handbook of the Bible and its Reception in Film
Berlin; Boston: De Gruyter (2016), xviii, 921 pp.
"This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament;
...
Public Financing for Film and Television Content: The State of Soft Money in Europe
Strasbourg: European Audiovisual Observatory, Council of Europe (2016), 108 pp.
"In total, a yearly average of EUR 2.53 billion went to the 214 funds in a sample including 33 countries (Albania and Russia could not be tracked for this indicator) between 2010 and 2014 (a proportioned average of 196.2 funds a year, since not all the funds tracked existed over the entire period).
...
The Routledge Companion to Cinema & Gender
London; New York: Routledge (2016), xix, 492 pp.
"The contributions in this volume address a variety of geographical and cultural contexts through an analysis of cinema, from the representation of women and Islam in Middle Eastern film, and female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. The boo
...
Arab Cinema Travels: Transnational Syria, Palestine, Dubai and Beyond
London: Palgrave Macmillan; British Film Institute (bfi) (2016), ix, 221 pp.
"Starting with the inventive traditions of Arabic travelogues, the text traces the manifold pathways that converge in the cinemas of Syria, Palestine and Dubai. Syrian production bursts out of long-held practices of studying abroad, this time in the film schools of the Eastern Bloc. Palestinian movi
...
Nollywood: The Creation of Nigerian Film Genres
Chicago; London: University of Chicago Press (2016), xxviii, 375 pp.
"Haynes describes the major Nigerian film genres and how they relate to Nigerian society—its values, desires, anxieties, and social tensions—as the country and its movies have developed together over the turbulent past two decades. As he shows, Nollywood is a form of popular culture; it produces
...
