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Countries / Regions
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Methods applied
Journals
Output Type
Afrika Filmfestival Leuven 2015
Leuven: vzw Film en Cultuurpromotie (2015), 210 pp.
Quality Criteria in Children TV: Narrative and Script Writing for Children's TV 0-6
Santiago de Chile: Pontificia Universidad Católica de Chile; Libros Patagonia (2015), 40 pp.
"This text is a review of some changes that have recently taken place in literary creation and script writing in TV programs for children 0-6; a complex set of different influences has triggered changes on children conception; a new image of the child has emerged, different from the old behaviorist
...
Curating Africa in the Age of Film Festivals
New York: Palgrave Macmillan (2015), xvii, 270 pp.
"Tracing the history of Africa's relationship to film festivals and exploring the festivals' impact on the various types of people who attend festivals (the festival experts, the ordinary festival audiences, and the filmmakers), Dovey reveals what turns something called a "festival" into a "festival
...
Diccionario de conceptos y términos audiovisuales: Herramientas para el análisis fílmico
Madrid: Cátedra (2015), 405 pp.
"La selección de términos que recogemos en el Diccionario de conceptos y términos audiovisuales, necesariamente sesgada y parcial, se articula en torno a una serie de perspectivas conceptuales diferenciadas, aunque complementarias entre sí: conceptos y términos relacionados con las teorías del
...
Remediating Transcultural Memory: Documentary Filmmaking as Archival Intervention
Berlin; Boston, Mass.: De Gruyter (2015), 252 pp.
"Despite the growing field of media memory studies, the impact from film and media studies has been scarce within memory studies. This unique study offers new theorizations of three crucial concepts for media memory studies: remediation, transculturality and the archive. This book takes a closer loo
...
O nascimento do cinema moçambicano
"A produção cinematográfica em Moçambique depende de um sistema de produção muito frágil ancorado em apoios externos. A deficiente rede de distribuição e de difusão, e a escassez de salas, não permitem que o cinema moçambicano tenha grande visibilidade. Fora dos circuitos dos festivais,
...
New Political Economies of Film Distribution for South Africa's Townships? A Critical Survey of the ReaGilè Concept
Critical Arts: South-North Cultural and Media Studies, volume 29, issue 5 (2015), pp. 621-643
"ReaGilès are pre-fabricated, self-contained, education and entertainment complexes situated on 400m2 sites at local schools or public open spaces consisting of a 60-seat cinema, 30- seat computer and Internet facility, community care and policing centre. These complexes are intended to service his
...
Online Video Forecasts 2015
London: ZenithOptimedia (2015), 85 pp.
"This report gives forecasts for online video spend and consumption, where available, for 40 markets in which online video is at varying stages of development. From markets such as Singapore, where 85% of the population claims to access online video (according to GlobalWebIndex, 2014), to countries
...
Von Helden, Bösewichten und Herrschern: Der sowjetische Märchenfilm zwischen Folkloretradition und Entstehungswirklichkeit. Mit einer umfangreichen Materialdokumentation sämtlicher in der Sowjetunion von 1938-1989 entstandenen Märchenlangspielfilme
Freiburg im Breisgau: Albert-Ludwigs-Universität, Doctoral Thesis (2015), 500 pp.
Independent Chinese Documentary: Alternative Visions, Alternative Publics
Edinburgh: Edinburgh University Press (2015), xii, 204 pp.
"This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television secto
...
Women's Cinema, World Cinema: Projecting Contemporary Feminisms
Durham: Duke University Press (2015), ix, 270 pp.
Gaze Regimes: Film and Feminisms in Africa
Johannesburg: Wits University Press (2015), xxxiv, 229 pp.
"Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of
...
Im Gegenlicht: Gesellschaftskritik im Spielfilm
iz3w, issue 384 (2015), pp. 17-40
"Gerade in Ländern des Globalen Südens gibt es eine beeindruckende Vielfalt kritischer Spielfilme aller Genres, vom Roadmovie bis zur Groteske. Mal sind sie explizit politisch, mal eher angedeutet und metaphorisch, um die Zensur zu umgehen oder um eindimensionale Interpretationen zu unterlaufen. I
...
Historia del cine infantil en la Argentina
Buenos Aires: Asociación de Productores de Cine para la Infancia (APCI) (2015), 266 pp.
Os cinemas de Cabo Verde: A visão de um estrangeiro
"Talvez este seja o momento de voltarmos os nossos olhos para a cinematografia em Cabo Verde, país que conta com apenas duas salas de cinema, pois, mesmo olhando de longe, eu venho observando desde o Brasil, há algumas tantas ações que demonstram um esforço para implantação e consolidação d
...
In Focus: Studying African Cinema and Media Today
Cinema Journal, volume 54, issue 2 (2015), pp. 114-150
"This author started elaborating aspects of the present synthesis of strains of debates in African cinema following the “Semaphores and Surfaces” conference on African cinema held at Princeton University on November 1–3, 2013—co-organized by Wendy Belcher and Beatriz Leal Riesco and featurin
...
An Ever-Widening Screen
Ballarat: Connor Court Publishing (2015), 501 pp.
"We all have many strands in our lives. In this memoir, Peter Malone takes us through his various strands. He is a man of a certain vintage, mainly Irish heritage. He grew up as a Catholic in a pre-Vatican II Church. His call was to a religious congregation from the late 1950s and to priesthood from
...
Coprodução no Ibermédia: Uma análise dos filmes brasileiros coproduzidos com apoio do fundo entre 2003 e 2013
"O fomento à produção cinematográfica em regime de coprodução tem sido uma saída para os países latinoamericanos que pressionados em sua cadeia produtiva pela hegemônica indústria cinematográfica norte americana têm dificuldades em desenvolver suas cinematografias. Desde da década de 19
...