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Countries
Authors & Publishers
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Journals
Output Type
Indigenous Agency Through Visual Narratives in the Sierra Nevada de Santa Marta, Colombia
Journal of Alternative and Community Media, volume 4, issue 3 (2019), pp. 14-27
"This article focuses on the Wiwa community in the Sierra Nevada de Santa Marta, Colombia. This community has been reviving its traditional music as part of an effort to reconstruct its social network. Moreover, its members have recently embraced visual arts as a versatile medium in the context of t
...
Kino in Kolumbien: Der innerkolumbianische Konflikt im Film zwischen Gewaltdiskurs und (trans-)nationaler Identität
Bielefeld: transcript Verlag (2019), 422 pp.
"Der landesinterne Konflikt in Kolumbien und die damit einhergehende Gewalt sind seit deren Ausbruch in den 1940er Jahren zentraler Gegenstand des kolumbianischen Kinos. Unter dem Einfluss sich wandelnder Gewaltdiskurse und Produktionsbedingungen entwerfen die kolumbianischen Filmemacher_innen viels
...
Global Media and Cultural Policy: The European Union and Audiovisual Industries in the Global South
Ann Arbor, MI: University of Michigan, Doctoral Thesis (2019), viii, 193 pp.
"This dissertation explores audiovisual assistance programs through an examination of the largest such program: the EU’s ACPCultures+, which since 2008 has awarded over 50 million Euros to nearly 60 audiovisual training programs, distribution initiatives, and production projects in sub-Saharan Afr
...
African Cinema and Human Rights
Bloomington: Indiana University Press (2019), x, 314 pp.
"Bringing theory and practice together, 'African Cinema and Human Rights' argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: documenting human rights
...
Guerrilla Film Marketing: The Ultimate Guide to the Branding, Marketing and Promotion of Independent Films & Filmmakers
New York, Abingdon, UK: Routledge (2019), xix, 299 pp.
"Guerrilla Film Marketing takes readers through each step of the film branding, marketing and promotional process. Tailored specifically to low-budget independent films and filmmakers, Guerrilla Film Marketing offers practical and immediately implementable advice for marketing considerations across
...
Latin American Film Industries
London; New York: Bloomsbury Publishing; British Film Institute (bfi) (2019), ix, 193 pp.
"Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, compe
...
Les cinémas berbères: De la méconnaissance aux festivals nationaux
Paris: Karthala (2019), 210 pp.
"Cet ouvrage est le premier à traiter l'ensemble de la production cinématographique berbère. Des histoires qui nous viennent des mythes, de l’histoire contemporaine, des personnages dramatiques ou comiques, qui participent à la représentation et à l’auto-perception d’être Imazighen/Berb
...
The Oxford Handbook of Chinese Cinemas
Oxford et al.: Oxford University Press, paperback ed. (2019), xvii, 709 pp.
"The volume is divided into three parts, focusing respectively on historical periodizations, categories that share formal characteristics, and structural elements involved in the production, distribution, and reception of the works themselves. In historical terms, topics range from the birth of Chin
...
Kritik, Aktivismus und Prospektivität: Politische Strategien im postjugoslawischen Dokumentarfilm
Marburg: Schüren (2019), 368 pp.
"Während des kriegerischen Zerfalls von Jugoslawien und der Bildung neuer Nationalstaaten entstand in der Region ein reges Dokumentarfilmschaffen, das sich den dominanten Rhetoriken der Politik entgegenstellte. Anhand dieses Filmkorpus untersucht die Studie die Bedingungen der Filmproduktion und -r
...
New Video Generation: The Myanmar Motion Picture Industry in 2017
In: Myanmar Media in Transition: Legacies, Challenges and Change
Singapore: ISEAS (2019), pp. 287-306
"Following a summary of secondary and primary sources on the subject of film production in Burma, I will present an overview of the history of the Burmese film industry, from the British colonial period, to independence, to the years of the Burmese Socialist Program Party, and then the SLORC/SPDC ye
...
Refugees on Film: Assessing the Political Strengths and Weaknesses of the Documentary Style
Alphaville: Journal of Film and Screen Media, issue 18 (2019), pp. 107-122
"The article considers one dominant tendency of independent filmmaking, and its impact on the treatment of the refugee (broadly conceived): the application of contemporary documentary methods to both fiction and nonfiction works. The goal is a preliminary exploration of the complex, context-sensitiv
...
Documentary Resistance: Social Change and Participatory Media
New York: Oxford University Press (2019), xiii, 280 pp.
"The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into
...
Documentary Filmmaking in Contemporary Brazil: Cinematic Archives of the Present
New York: Oxford University Press (2019), viii, 265 pp.
"This work examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil's highly unequal society, this period also witnessed the documentary's rise to unprecedented vitality
...
L'audiovisuel africain et la capitalisme global
Politique Africaine, issue 153 (2019), pp. 7-159
"Ce dossier se concentre sur ces transformations plus récentes afin d’analyser leur impact sur l’économie et la politique de la production et de la distribution audiovisuelle en Afrique, tout en mettant en question les cadres théoriques et méthodologiques que nous adoptons en tant que cherch
...
Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
London: Bloomsbury Academic (2019), xiv, 282 pp.
"Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, a
...
El vídeo indígena en la comunidad Embera Chamí: Nuevas estéticas y sistemas de circulación
Luciérnaga, volume 11, issue 22 (2019), pp. 95-111
"El texto es un análisis visual sobre varios videos de dos grupos de música del resguardo Emberá Chamí del municipio de Pueblo Rico Risaralda, Bidika y Ibanafarag, estos grupos cuentan con características especiales en su concepción que logran permear en sus canciones, en la construcción est
...
Moving Images: Visual Metaphors of Peace in the Movie Mango Dreams
Peace & Change, volume 45, issue 1 (2019), pp. 126-150
"Visual metaphors stand at the border between text and image, as they are linguistic figures that visualize the spoken. Based on this assumption and on the existing knowledge on the discourse analytical method of metaphor analysis, Part One of the article develops a method of visual metaphor analysi
...
Guía práctica y herramientas para el impacto: Del arte al impacto
Key Guides
London et al.: Doc Society (2019), 237 pp.
"El objetivo de esta guía va más allá de presentar herramientas y recursos, pretende crear comunidad. Igual que sucede con el proceso de evaluación, vimos una oportunidad para aprender cómo se produce el impacto y hacer un seguimiento de cómo las películas están catalizando el cambio social.
...
Yangon Film School’s Advanced Filmmaking Course Project: Independent Evaluation
Helsinki: Vikes (2019), 64 pp.
Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue
Bloomington: Indiana University Press (2019), 272 pp.
"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
...
