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Countries
Authors & Publishers
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Publication Years
Methods applied
Journals
Output Type
New Video Generation: The Myanmar Motion Picture Industry in 2017
In: Myanmar Media in Transition: Legacies, Challenges and Change
Singapore: ISEAS (2019), pp. 287-306
"Following a summary of secondary and primary sources on the subject of film production in Burma, I will present an overview of the history of the Burmese film industry, from the British colonial period, to independence, to the years of the Burmese Socialist Program Party, and then the SLORC/SPDC ye
...
L'audiovisuel africain et la capitalisme global
Politique Africaine, issue 153 (2019), pp. 7-159
"Ce dossier se concentre sur ces transformations plus récentes afin d’analyser leur impact sur l’économie et la politique de la production et de la distribution audiovisuelle en Afrique, tout en mettant en question les cadres théoriques et méthodologiques que nous adoptons en tant que cherch
...
The Grounds of Circulation: Rethinking African Film and Media
Politique Africaine, issue 153 (2019), pp. 105-126
"The aesthetic form and financial infrastructures of African popular film has transformed in recent years leading to a revision of the paradigms for thinking African screen media. This paper assesses that rethinking. It examines three things. First, I argue the analysis of the technical, financial,
...
African Film Studies: An Introduction
London; New York: Routledge (2019), xi, 142 pp.
"The book provides a succinct and comprehensive study of the history, aesthetics, and theory of sub-Saharan African cinematic productions that is grounded in the field of film studies instead of textual interpretations from other disciplines. Bringing African cinema out of the margins into the disci
...
Latin American Film Industries
London; New York: Bloomsbury; British Film Institute (bfi) (2019), ix, 193 pp.
"Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, compe
...
Guerrilla Film Marketing: The Ultimate Guide to the Branding, Marketing and Promotion of Independent Films & Filmmakers
New York, Abingdon, UK: Routledge (2019), xix, 299 pp.
"Guerrilla Film Marketing takes readers through each step of the film branding, marketing and promotional process. Tailored specifically to low-budget independent films and filmmakers, Guerrilla Film Marketing offers practical and immediately implementable advice for marketing considerations across
...
The Impact Field Guide and Toolkit: From Art to Impact [in Arabic]
Key Guides
London et al.: Doc Society, 2nd ed. (2019), 238 pp.
Global Media and Cultural Policy: The European Union and Audiovisual Industries in the Global South
Ann Arbor, MI: University of Michigan, Doctoral Thesis (2019), viii, 193 pp.
"This dissertation explores audiovisual assistance programs through an examination of the largest such program: the EU’s ACPCultures+, which since 2008 has awarded over 50 million Euros to nearly 60 audiovisual training programs, distribution initiatives, and production projects in sub-Saharan Afr
...
Manual de crítica de cine
Madrid: CEU Ediciones (2019), 257 pp.
" Es cierto que el crítico de cine es por encima de todo un espectador, pero en palabras de François Truffaut, es «un espectador que tiene la necesidad de analizar el propio placer y describirlo». Un crítico de cine es mucho más que alguien que aconseja o desaconseja una película. Debe ser aq
...
El vídeo indígena en la comunidad Embera Chamí: Nuevas estéticas y sistemas de circulación
Luciérnaga, volume 11, issue 22 (2019), pp. 95-111
"El texto es un análisis visual sobre varios videos de dos grupos de música del resguardo Emberá Chamí del municipio de Pueblo Rico Risaralda, Bidika y Ibanafarag, estos grupos cuentan con características especiales en su concepción que logran permear en sus canciones, en la construcción est
...
Indigenous Agency Through Visual Narratives in the Sierra Nevada de Santa Marta, Colombia
Journal of Alternative and Community Media, volume 4, issue 3 (2019), pp. 14-27
"This article focuses on the Wiwa community in the Sierra Nevada de Santa Marta, Colombia. This community has been reviving its traditional music as part of an effort to reconstruct its social network. Moreover, its members have recently embraced visual arts as a versatile medium in the context of t
...
Kino in Kolumbien: Der innerkolumbianische Konflikt im Film zwischen Gewaltdiskurs und (trans-)nationaler Identität
Bielefeld: transcript Verlag (2019), 422 pp.
"Der landesinterne Konflikt in Kolumbien und die damit einhergehende Gewalt sind seit deren Ausbruch in den 1940er Jahren zentraler Gegenstand des kolumbianischen Kinos. Unter dem Einfluss sich wandelnder Gewaltdiskurse und Produktionsbedingungen entwerfen die kolumbianischen Filmemacher_innen viels
...
Documentary Resistance: Social Change and Participatory Media
New York: Oxford University Press (2019), xiii, 280 pp.
"The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into
...
Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
London: Bloomsbury Academic (2019), xiv, 282 pp.
"Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, a
...
Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue
Bloomington: Indiana University Press (2019), 272 pp.
"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
...
Yangon Film School’s Advanced Filmmaking Course Project: Independent Evaluation
Helsinki: Vikes (2019), 64 pp.
O guia de campo: Kit der ferramentas para o impacto. Da arte ao impacto
Key Guides
London et al.: Doc Society (2019), 238 pp.
"Nós oferecemos ideias e abordagens para que você não tenha que lidar com um obstáculo que alguém já ultrapassou e, com isso, concentrar-se nos desafios próprios de seu projeto. Disponibilizamos todas as nossas colaborações, conversas, acordos e desentendimentos com equipes de filmagem incr
...
Kritik, Aktivismus und Prospektivität: Politische Strategien im postjugoslawischen Dokumentarfilm
Marburg: Schüren (2019), 368 pp.
"Während des kriegerischen Zerfalls von Jugoslawien und der Bildung neuer Nationalstaaten entstand in der Region ein reges Dokumentarfilmschaffen, das sich den dominanten Rhetoriken der Politik entgegenstellte. Anhand dieses Filmkorpus untersucht die Studie die Bedingungen der Filmproduktion und -r
...
Conflict and Controversy in Small Cinemas
Frankfurt am Main: Peter Lang (2018), 268 pp.
"This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. Th
...
Prisioneros del cine: 50 películas sobre la privación de libertad
Barcelona: Editorial UOC (2018), 212 pp.
"El cine de cárceles ha desarrollado un lenguaje propio, casi como si de un género se tratase. Y lo ha hecho para presentarse ante la audiencia con muy diferentes intenciones: desde denunciar un sistema penal con serias imperfecciones a relatar historias de superación, pasando por descubrir injus
...
