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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Wenn Gott ins Kino geht: 50 Filme, die man kennen muss
Wuppertal: Brockhaus (2004), 224 pp.
Die Passion Christi: Der Film von Mel Gibson und seine theologischen und kunstgeschichtlichen Kontexte
Münster: Aschendorff (2004), 224 pp.
"Die anhaltende Kontroverse um Mel Gibsons Jesusfilm bewegt sich vor allem um drei Problemfelder: die Gewaltdarstellung, die Zeichnung der jüdischen Gegner Jesu und die Theologie des Films, insbesondere das in ihm vertretene Konzept von Opfer und Sühne. Immer wieder begegnen Fragen wie: Liegt die
...
Die Erotik des Bösen: Mami Water als "christlicher" Dämon in ghanaischen und nigerianischen Videos
In: Africa screams: Das Böse in Kino, Kunst und Kult
Wuppertal: Peter Hammer Verlag (2004), pp. 199-209
Grundlagen und Maßstäbe der Filmbewertung
Wiesbaden: Filmbewertungsstelle (FBW) (2004), 56 pp.
Traumfabrik Bollywood: Indisches Mainstream-Kino
Bad Honnef: Horlemann (2003), 214 pp.
African Video Film Today
Manzini (SZ): Academic Publisher (2003), xiii, 162 pp.
VideoCulture: Video und interkulturelle Kommunikation. Grundlagen, Methoden und Ergebnisse eines internationalen Forschungsprojektes
München: kopaed (2003), 376 pp.
"VideoCulture war ein internationales, medienethnographisches Praxis- und Forschungsprojekt, das von 1997 bis 2000 an der PH Ludwigsburg in Kooperation mit Kollegen aus London, Los Angeles, New York, Budapest und Prag durchgeführt wurde. Jugendliche zwischen 14 und 19 Jahren aus unterschiedlichen s
...
European Film Industries
London: British Film Institute (bfi) (2003), vii, 168 pp.
Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
Austin: University of Texas Press (2003), xvii, 323 pp.
"Following the Sandinista Revolution in 1979, young bohemian artists rushed to the newly formed Nicaraguan national film institute INCINE to contribute to "the recovery of national identity" through the creation of a national film project. Over the next eleven years, the filmmakers of INCINE produce
...
Contemporary Cinema of Latin America: Ten Key Films
New York et al.: Continuum (2003), ix, 206 pp.
"This book focuses on a selection of internationally known Latin American films. The chapters are organized around national categories, grounding the readings not only in the context of social and political conditions, but also in those of each national film industry. It is a very useful text for st
...
The Cinematic Imagination: Indian Popular Films as Social History
New Brunswick, NJ: Rutgers University Press (2003), xvi, 258 pp.
"India produces more films than any other country in the world, and these works are avidly consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities in Australia, Britain, the Caribbean Islands, and North America. Jyotika Virdi focuses on how this dom
...
Africa Shoots Back: Alternative Perspectives in Sub-Saharan Francophone African Film
Bloomington; Oxford: Indiana University Press; James Currey Publishers (2003), viii, 230 pp.
Ojos bien abiertos: El lenguaje de las imágenes en movimiento
Lima: Universidad de Lima (2003), 270 pp.
Nord/Süd
Stuttgart: Evangelisches Zentrum für entwicklungsbezogene Filmarbeit (EZEF) (2003), 136 pp.
Bilder aus dem Reich des Drachen: Chinesische Filmregisseure im Gespräch
Bad Honnef: Horlemann (2002), 237 pp.
At a Cinema Near You: Strategies for Sustainable Local Cinema Development
London: British Film Institute (bfi) (2002), 84 pp.
"This book is aimed at anyone involved in the setting up of a local cinema from local government officers to individuals wanting to rescue or reopen a cinema. It celebrates what has already been achieved and provides practical tips to those wanting to know how it was done. It is intended as a practi
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