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Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Outside the Machine? Donor Values and the Case of Film in Tanzania
In: Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), pp. 160-177
In Need of Connection: Reflections on Youth and the Translation of Film in Tanzania
Stichproben: Wiener Zeitschrift für kritische Afrikastudien, issue 18 (2010), pp. 137-159
"The translation of films from languages such as English, Hindi/Urdu or Chinese into Swahili is a phenomenon that has quickly grown into a successful business in Tanzania in the last couple of years. The films are mainly products of the USA, of India and China, but also of countries such as Thailand
...
Der brasilianische Film in Deutschland
In: Deutsch-brasilianische Kulturbeziehungen: Bestandsaufnahme, Herausforderungen, Perspektiven
Frankfurt am Main: Vervuert (2010), pp. 213-222
"Zwar haben große Filme wie “Central do Brasil” oder “Cidade de Deus” die Zuschauer für den brasilianischen Blick auf die Welt sensibilisiert; dennoch müssten die kleineren Produktionen durch die Möglichkeit der Koproduktion und eine intensive Verleihförderung mit einer guten Untertitel
...
Focus 2010: World Film Market Trends = Tendances Du Marché Mondial Du Film
Cannes: Marché du Film; European Audiovisual Observatory (2010), 64 pp.
"With its key indicators, FOCUS 2010 gives you a complete overview of the fi lm industry worldwide, and highlights new and up-and-coming areas such as Latin America and the Middle East. It is an indispensable guide to understanding the undercurrents and changes in the international market, in a cont
...
Animación: La magia en movimiento
Santiago de Chile: Pehuén Editores (2010), 201 pp.
La TV que queremos: Una televisión de calidad para chicos y adolescentes
Buenos Aires: Paidós (2010), 133 pp.
Gefängnisfilm: Ein enzyklopädischer Eintrag
Hamburg: Universität Hamburg, Institut für Germanistik (2010), 10 pp.
"Der Gefängnisfilm ist letztlich ein Gangsterfilm, der seinen Haupthandlungsschauplatz in die Haftanstalt verlegt hat und dort entweder von der Läuterung des Gangsters, von dem Schicksal eines zu Unrecht Verurteilten oder einem Gefängnisaufstand erzählt. Gerade der amerikanische Gefängnisfilm n
...
Voices of Ethnic Minority Children: Participatory Video on Disaster Risk Reduction and Climate Change in Vietnam
Plan International (2010), 10 pp.
"This booklet documents the participatory video methodology as an affordable and easy-to-use video tool enabling community members to record their experience and strengthen their own knowledge on disaster risks and climate change, as well as to increase their capacity to act on that knowledge and se
...
International Film Guide 2010: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 46th ed. (2010), 460 pp.
Turning Rice Into Pilau: The Art of Video Narration in Tanzania
Intermédialités, issue 4 (2009), 32 pp.
"In Tanzania pirated video copies of foreign films are subject to a profound practice of remediation. Video narrators who either perform live simultaneous translations and commentaries on such films in video parlours, or mediatise their interpretations as VHS cassettes and DVDs with Kiswahili voice-
...
International Film Guide 2009: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 45th ed. (2009), 472 pp.
Memorias chipayas
iMEDEA (2009), 101 pp.
"En 1953, el cineasta boliviano Jorge Ruiz realizó el documental 'Vuelve Sebastiana' con la ayuda de Augusto Roca, Chovel, conocido como 'Pajarito' y el guión de Luis Ramiro Beltrán. Este libro es un homenaje a aquella aventura y especialmente a Sebastiana Kespi, su protagonista, y al admirado y
...
Cine-Therapie / Film-Therapie. Eine erste Bibliographie
Hamburg: Universität Hamburg, Institut für Germanistik (2009), 10 pp.
"Darüber können viele, die in der Bildungsarbeit der Akademien versuchen, mit allgemeinem Publikum über Themen ins Gespräch zu kommen, die tabuisiert, traumatisiert, intimisiert oder sonstwie blockiert sind, berichten: Setzt man Filme als Katalysatoren des Gesprächs ein, wird es vielen möglich
...
Asian Hot Shots: Indonesian Cinema
Marburg: Schüren (2009), 219 pp.
"hardly anything is known about Indonesian film, which, as social seismograph, has the potential to communicate the views specific to this culture to the rest of the world. This book, with its contributions from renowned Australian, Dutch, German and Indonesian film experts, closes a gap by introduc
...
How to Read a Film? Movies, Media and Beyond
New York: Oxford University Press, revised and expanded 4th ed. (2009), 729 pp.
Tamil Cinema
Communication Research Trends, volume 28, issue 4 (2009), pp. 3-27
"India, unlike the USA, has multiple centers of production just as its languages and cultures still maintain their identities in India instead of being amalgamated into a singlular overarching popular culture as appears in the Los Angeles-dominated film industry of the United States. Even with produ
...
How Hollywood Projects Foreign Policy
New York: Palgrave Macmillan (2009), xii, 226 pp.
"This book examines US foreign policy toward the so-called 'rogue states' and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that is popular culture." (Publisher description)
Movie-mientos II: Der lateinamerikanische Film in Zeiten globaler Umbrüche
Stuttgart: Schmetterling-Verlag (2009), 152 pp.
"Seit Erscheinen des Buches «Movie-mientos. Der lateinamerikanische Film: Streiflichter von unterwegs» im Jahre 2000 hat sich viel getan in der lateinamerikanischen Filmszene: Parallel zur Wirtschaftskrise, die Länder wie Argentinien durchmachten, erlebte das dortige Kino trotz finanzieller Engp
...
Digital Tools in Media Studies: Analysis and Research. An Overview
Bielefeld: transcript Verlag (2009), 191 pp.
Writing National Cinema: Film Journals and Film Culture in Peru
Hanover, NH; London: Dartmouth College Press; University Press of New England (2009), viii, 276 pp.
"Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinéma, Hablemos de cine began with a group of young critics interested in claiming the
...