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Countries
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Journals
Output Type
Zigeuner / Roma im Film
Hamburg: Universität Hamburg, Institut für Germanistik (2011), 10 pp.
Understanding Bollywood
In: The Handbook of Global Communication and Media Ethics
Chichester: Wiley Blackwell (2011), pp. 577-601
"This essay brings together four key elements of Bollywood cinema: 1. the lure of the mythological; 2. the allure of the Muslim courtesan, and Urdu, Bollywood's language of love; 3. the hegemony of melodrama; and 4. the persistence of song and dance." (Page 577)
Reclams Sachlexikon des Films
Stuttgart: Reclam, 3., aktual. Aufl. (2011), 836 pp.
Das Chinesische Kino nach der Kulturrevolution: Theorien und Analysen
Marburg: Schüren (2011), 454 pp.
"Seit dem Ende der Kulturrevolution 1976 hat das festlandchinesische Kino verschiedene Phasen durchlaufen und erstaunliche Entwicklungen vollzogen. Im Zentrum dieses Buchs stehen Analysen herausragender Spielfilme der Vierten bis Sechsten Generation sowie wichtiger Werke der Neuen Dokumentarfilmbewe
...
Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
Postnationalist African Cinemas
Manchester: Manchester University Press (2011), xii, 269 pp.
"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
...
Glauber Rocha e as culturas na América Latina
Frankfurt am Main: TFM (2011), 249 pp.
"Há trinta anos morria Glauber Rocha, porta-voz do Cinema Novo. A trajetória do artista, apontando novos caminhos para um cinema político, iniciara-se vinte anos antes, com Barravento, seu primeiro longa-metragem. A publicação deste livro, que reune artigos de alguns dos melhores especialistas,
...
Acerca del cine como medio expresivo
Valparaíso: Editorial Universidad de Valparaíso (2011), 252 pp.
Der brasilianische Film in Deutschland
In: Deutsch-brasilianische Kulturbeziehungen: Bestandsaufnahme, Herausforderungen, Perspektiven
Frankfurt am Main: Vervuert (2010), pp. 213-222
"Zwar haben große Filme wie “Central do Brasil” oder “Cidade de Deus” die Zuschauer für den brasilianischen Blick auf die Welt sensibilisiert; dennoch müssten die kleineren Produktionen durch die Möglichkeit der Koproduktion und eine intensive Verleihförderung mit einer guten Untertitel
...
International Film Guide 2010: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 46th ed. (2010), 460 pp.
Animación: La magia en movimiento
Santiago de Chile: Pehuén Editores (2010), 201 pp.
Untold Stories
Westminster Papers in Communication and Culture, volume 7, issue 2 (2010), pp. 31-50
"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
...
Outside the Machine? Donor Values and the Case of Film in Tanzania
In: Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), pp. 160-177
African Film and Video: Pleasure, Politics, Performance
Journal of African Cultural Studies, volume 22, issue 1 (2010), pp. 1-6
"This special issue aims to contribute to African film scholarship, popular culture studies, and broader cultural studies in four ways. First, the issue is one of the first publications to bring together scholars of African Cinema and scholars of African video film so as to encourage conversation an
...
The African Filmmaker and Content of African Films: A Study of the Perspectives of the Nigerian Film Audience
Global Media Journal - African Edition, volume 4, issue 1 (2010), pp. 84-115
"This paper attempts to appraise African filmmaking and the content of African films from a Nigerian film audience perspective. The study specifically explores the disposition of the audience towards contemporary African filmmaking for home video and cinema entertainment as well as the content of Af
...
Online Filme produzieren: Geschäftsmodelle im Zeitalter der Digitalisierung
Konstanz: UVK (2010), 219 pp.
"Die Filmproduktion befindet sich im Umbruch: Die Anzahl der Marktteilnehmer und Distributionswege wächst, gleichzeitig sinkt aber das Produktionsvolumen der Sender für unabhängige Filmhersteller. Joachim Knaf analysiert die bestehenden Geschäftsmodelle der AV-Produzenten und stellt mit einem Fa
...
La TV que queremos: Una televisión de calidad para chicos y adolescentes
Buenos Aires: Paidós (2010), 133 pp.
African Film: New Forms of Aesthetics and Politics
Munich et al.: Prestel Verlag (2010), 319 pp.
