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Countries / Regions
Authors & Publishers
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Methods applied
Journals
Output Type
Zigeuner / Roma im Film
Hamburg: Universität Hamburg, Institut für Germanistik (2011), 10 pp.
Acerca del cine como medio expresivo
Valparaíso: Editorial Universidad de Valparaíso (2011), 252 pp.
Postnationalist African Cinemas
Manchester: Manchester University Press (2011), xii, 269 pp.
"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
...
Kurdisches Kino: Vom akzentuierten Exil- und Diasporakino zum internationalen Film = Sínimay Kurdí: Le sínimay henderaní ú derekeyí erra fílmi nawneteweyí
Marburg: Schüren (2011), 223 pp.
"Die konkrete Annäherung an das Kurdische Kino gestaltet die Autorin über die Aufarbeitung des Dritten Kinos und die Erläuterung des Transnationalen Filmschaffens. Die neusten kurdischen Produktionen sprengen bestehende wissenschaftliche Theorien, indem sie neue Raum-Zeitkonfigurationen definiere
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Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
Film verstehen: Das Lexikon. Die wichtigsten Fachbegriffe zu Film und neuen Medien
Reinbeck: Rowohlt Taschenbuch Verlag (2011), 189 pp.
"Be they musicals or melodramas, war movies or animation, Russian films have a long and fascinating history of addressing the major social and political events of their time. From Sergei Eisenstein’s anti-tsarist drama, Battleship Potemkin, to socialist realism, to the post-glasnost thematic explo
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Das Chinesische Kino nach der Kulturrevolution: Theorien und Analysen
Marburg: Schüren (2011), 454 pp.
"Seit dem Ende der Kulturrevolution 1976 hat das festlandchinesische Kino verschiedene Phasen durchlaufen und erstaunliche Entwicklungen vollzogen. Im Zentrum dieses Buchs stehen Analysen herausragender Spielfilme der Vierten bis Sechsten Generation sowie wichtiger Werke der Neuen Dokumentarfilmbewe
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From the Field: Co-Producing the Memory. Cinema Production Between Europe and the Middle East
Global Media Journal - German Edition, volume 1, issue 1 (2011), 13 pp.
"The media intervention programs and training initiatives for Arabs reflect hegemonies and dependencies. Taking into consideration the absence of a public cinema infrastructure in the Arab World and thus the lack of institutional representation or backing for film-makers leads one to question to wha
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Cines regionales
Revista de la Integración (Lima), issue 5 (2010), pp. 70-77
"A partir de las primeras producciones ayacuchanas, que datan del año 1996, ha comenzado a constituirse una continua y creciente producción de largometrajes originados y producidos principalmente en sus propias regiones, con sus propios recursos, fuera del circuito de Lima, comúnmente pensado com
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The African Filmmaker and Content of African Films: A Study of the Perspectives of the Nigerian Film Audience
Global Media Journal - African Edition, volume 4, issue 1 (2010), pp. 84-115
"This paper attempts to appraise African filmmaking and the content of African films from a Nigerian film audience perspective. The study specifically explores the disposition of the audience towards contemporary African filmmaking for home video and cinema entertainment as well as the content of Af
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), vii, 248 pp.
Untold Stories
Westminster Papers in Communication and Culture, volume 7, issue 2 (2010), pp. 31-50
"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
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A Literature Review: Nigerian and Ghanaian Videos
Journal of African Cultural Studies, volume 22, issue 1 (2010), pp. 105-120
"The main purpose of this review of the published academic literature on Nigerian and Ghanaian video films is to foster self-awareness in this new field of study. This literature has been produced on three continents and out of many academic disciplines; in consequence, scholars tend to make few ref
...
African Film: New Forms of Aesthetics and Politics
Munich et al.: Prestel Verlag (2010), 319 pp.
Online Filme produzieren: Geschäftsmodelle im Zeitalter der Digitalisierung
Konstanz: UVK (2010), 219 pp.
"Die Filmproduktion befindet sich im Umbruch: Die Anzahl der Marktteilnehmer und Distributionswege wächst, gleichzeitig sinkt aber das Produktionsvolumen der Sender für unabhängige Filmhersteller. Joachim Knaf analysiert die bestehenden Geschäftsmodelle der AV-Produzenten und stellt mit einem Fa
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Apuntes para una historia del video en Chile
Santiago de Chile: Ocho Libros Editores (2010), 244 pp.
América Latina en 130 películas
Santiago de Chile: Uqbar Editores (2010), 277 pp.
African Film and Video: Pleasure, Politics, Performance
Journal of African Cultural Studies, volume 22, issue 1 (2010), pp. 1-6
"This special issue aims to contribute to African film scholarship, popular culture studies, and broader cultural studies in four ways. First, the issue is one of the first publications to bring together scholars of African Cinema and scholars of African video film so as to encourage conversation an
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