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Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Global Nollywood: The Transnational Dimensions of an African Video Film Industry
Bloomington: Indiana University Press (2013), viii, 371 pp.
Annäherung an eine Nische: Dokumentarfilme in Kambodscha
Südostasien, issue 4 (2013), pp. 18-20
»Die Khmer mögen keine Dokumentarfilme. Hier geht es nur um Unterhaltung.« Das haben mir lokale Filmemacher und TV Produzenten gesagt, als ich Kambodschas erstes unabhängiges Medien- und Kunstzentrum Meta House (www.meta-house.com) 2007 in der Hauptstadt Phnom Penh eröffnete. Ich wollte zu Kamb
...
Storytelling in World Cinemas. Vol. 2: Contexts
London; New York: Wallflower Press (2013), x, 198 pp.
Film und Politik in Myanmar: Gesellschaftlicher Wandel durch politischen Film?
Südostasien, volume 29, issue 4 (2013), pp. 23-25
"Myanmar durchläuft derzeit einen rasanten gesellschaftlichen Öffnungsprozess. Nicht zuletzt wachsen die Freiräume für politische Aktivisten, Journalisten und Filmemacher. Welche Wirkungen aber haben Filme auf politische Reformen in Myanmar, dessen Medienzensur zu den striktesten Zensursystemen
...
Art and Networks: The National Film School of Denmark's "Middle East Project"
In: The Education of the Filmmaker in Africa, the Middle East, and the Americas
New York et al.: Palgrave Macmillan (2013), pp. 125-150
"Seen from the perspective of film directors in the Middle East, the NFSD‘s Middle East Project makes a clear contribution in a number of areas: focusing on documentary flimmaking, it provides opportunities for flimmakers from the region to engage with realities that are important to them, but per
...
Cinema and Development in West Africa
Bloomington: Indiana University Press (2013), xiv, 222 pp.
"Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African ident
...
Directory of World Cinema: Latin America
Bristol; Chicago: intellect (2013), 251 pp.
Taking Nigeria to the Movies: The Innovative Regulatory Role of the National Film and Video Censors Board
Journal of African Media Studies, volume 5, issue 3 (2013), pp. 261-274
"The National Film and Video Censors Board (NFVCB) of Nigeria [...] has powers that go beyond film classification and censorship. This has been manifested especially through its attempt to regularize film distribution in Nigeria through the introduction of a distribution framework. Many resented thi
...
Cinema in Central Asia: Rewriting Cultural Histories
London; New York: Tauris (2013), xx, 297 pp.
"Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the
...
Routledge Handbook of Indian Cinemas
London; New York: Routledge (2013), xv, 470 pp.
"After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for thi
...
The Future of State Aid
IRIS Plus (European Audiovisual Observatory), issue 3 (2012), 43 pp.
Bollyworld Neukölln: MigrantInnen und Hindi-Filme in Deutschland
Konstanz; München: UVK (2012), 312 pp.
»Bollyworld Neukölln« ist nicht nur die erste umfassende Studie zum Hindi-Kino in Deutschland, die spezifische, inoffizielle und migrantische Rezeptionswege mitberücksichtigt, sondern zeigt auch neue empirische Perspektiven auf Migranten und Medien auf. Anstatt MigrantInnen unreflektiert nach be
...
Storytelling in World Cinemas. Vol. 1: Forms
London; New York: Wallflower Press (2012), xi, 208 pp.
Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past
Leiden: KITLV Press (2012), 239 pp.
Cine
Santiago de Chile: Consejo Nacional de la Cultura y las Artes (2012), 14 pp.
A Dialogue on Children's Television
Communication Research Trends, volume 31, issue 3 (2012), pp. 3-31
Bollywood en Perú: Culturas populares y globalización de las emociones
Nueva Sociedad, issue 241 (2012), pp. 133-148
"En las décadas de 1970 y 1980 varias salas limeñas se llenaban de familias que iban a ver las largas y melodramáticas producciones de cine que llegaban desde la India. Hoy esas salas ya no existen, pero eso no impide que la incidencia del cine indio se haya mantenido –dvd piratas mediante– n
...
Global Nollywood: The Nigerian Movie Industry and Alternative Global Networks in Production and Distribution
Global Media and Communication, volume 8, issue 2 (2012), pp. 117-134
"While Nollywood, Nigeria’s video industry, is largely separate from dominant global cultural industry networks of production inputs and distribution, it is an industry that is still globally linked in a number of ways. In this article, I investigate the nature and layout of these connections via
...
Señales contra el olvido: Cine chileno recobrado
Santiago de Chile: Editorial Cuarto Propio (2012), 207 pp.
Esta obra presenta la situación del cine chileno antes del golpe de estado y las relaciones que se establecieron con Alemania, con personas e instituciones que se interesaron en preservar y difundir este acervo fílmico chileno en tiempos del régimen militar. Posteriormente, estos materiales regre
...
South African Cinema 1896-2010
Bristol; Chicago: intellect (2012), 307 pp.
