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289
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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
The Economic Contribution of Copyright-Based Industries in Bhutan
Geneva: World Intellectual Property Organization (WIPO) (2011), 62 pp.
"Based on the study estimates, the total contribution of CBIs to the Bhutanese economy in 2008 was 5.5% of GDP or Nu.3,009 million; 10.1% of total employment or 25,215 persons; 4.0% of total exports or Nu. 912.4 million; 6.9% of total imports or Nu.1,604.8 million. The contribution of CBIs to GDP wa
...
Arabic Books
In: Arab Media: Globalization and Emerging Media Industries
Cambridge; Maldon, Mass.: Polity Press (2011), pp. 29-44
No Shelf Required: E-Books in Libraries
Chicago: American Library Association (2011), xiii, 182 pp.
En sintonía con los nuevos cambios tecnológicos en la radio latinoamericana
Quito: CIESPAL (2011), 105 pp.
"Efectivamente, la radio es la mayor pantalla del mundo, una pantalla que ha servido para proyectar imágenes e imaginarios de la sociedad, del mundo, de la vida. Una pantalla que ha servido para la intercomunicación (la mensajería radial tan útil especialmente para el campesino), que ha servido
...
Segunda encuesta nacional de participación y consumo cultural (ENPCC)
Santiago de Chile: Consejo Nacional de la Cultura y las Artes (CNCA) (2011), 219 pp.
"In Europe, Germany and France are ahead in digitally embracing trade books, notably !ction, yet are clearly behind the US and UK. But countries as diverse as Austria, Italy, Poland, Slovenia, Spain, and Sweden have recently seen the implementation of an ebook distribution infrastructure, and at lea
...
Review of ILRI’s External Communication
International Livestock Research Institute (ILRI); Comms Consult (2011), 23 pp.
"ILRI is working in 'a crowded field of providers of knowledge, technology, and capacity development'. It is crucial therefore that the organisation is crystal clear about the unique brand of knowledge and services it delivers in the field of science 'at the intersect of poverty and livestock' - and
...
Rating the Audience: The Business of Media
London; New York: Bloomsbury Academic (2011), xvi, 272 pp.
"Rating the Audience is the first book to show why and how audience ratings research became a convention, an agreement, and the first to interrogate the ways that agreement is now under threat. Taking a historical approach, the book looks at the evolution of audience ratings and the survey industry.
...
"Much work has been done to map out the contours of Islamic intellectual production in West Africa before the twentieth century. However, we still do not understand very well the process by which ideas and texts circulated in the region. Lists of specific books imported by West Africans during the n
...
Guidelines for Easy-To-Read Materials
The Hague: International Federation of Library Associations and Institutions (IFLA) (2010), 29 pp.
"These guidelines have three main purposes: 1) to describe the nature of and the need for easy-to-read publications; 2) to identify the main target groups for these publications; and 3) to offer suggestions to publishers of easy-to-read materials and those organizations and agencies that serve perso
...
International Film Guide 2010: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 46th ed. (2010), 460 pp.
Bleiben Sie dran! Dramaturgie von TV-Serien
Konstanz: UVK (2010), 256 pp.
Advancing New Media Research
Washington, DC: United States Institute of Peace (USIP) (2010), 8 pp.
"New media are powerful but have mixed effects on political organizations. To identify these consequences, we need to continue devising new frameworks of analysis. Knowing more about how new media relate to each other and to traditional media is critical. Being sensitive to the differences between,
...
Online Filme produzieren: Geschäftsmodelle im Zeitalter der Digitalisierung
Konstanz: UVK (2010), 219 pp.
"Die Filmproduktion befindet sich im Umbruch: Die Anzahl der Marktteilnehmer und Distributionswege wächst, gleichzeitig sinkt aber das Produktionsvolumen der Sender für unabhängige Filmhersteller. Joachim Knaf analysiert die bestehenden Geschäftsmodelle der AV-Produzenten und stellt mit einem Fa
...