commbox Japan

Filter

283

Sort by:

Direction:

External Link (142)

Google Scholar (107)

WorldCat (110)

Handbuch interkulturelle Kommunikation und Kooperation. Band 2: Länder, Kulturen und interkulturelle Berufstätigkeit

Alexander Thomas, Stefan Kammhuber, Schroll-Machl (eds.)

Göttingen: Vandenhoeck & Ruprecht (2003), 399 pp.

Download (21)

Japanese Approaches to Development Communication

Karin Gwinn Wilkins

Keio Communication Review, issue 25 (2003), pp. 19-37

"This article is based on the analysis of 198 communication and media projects financed by the Japanese International Cooperation Agency (JICA). Nearly 80% of the projects were aimed at communication infrastructure and training for its maintenance." (commbox)

Google Scholar (98)

WorldCat (110)

Flimmerndes Asien: Die Fernsehentwicklung eines Kontinents im Aufbruch

Jörg Becker, Kurt Luger (eds.)

Wien: Österreichischer Kunst- und Kulturverlag (2002), 252 pp.

Google Scholar (119)

WorldCat (111)

Die Zukunft der internationalen Kommunikationswissenschaft in Deutschland

Kai Hafez (ed.)

Hamburg: Deutsches Übersee-Institut (2002), 207 pp.

Google Scholar (117)

WorldCat (125)

Internationales Handbuch Medien 2002/2003

Hans-Bredow-Institut (ed.)

Baden-Baden: Nomos, 26th ed. (2002), 1056 pp.

Google Scholar (106)

WorldCat (104)

Asien und das Internet

Günter Schucher (ed.)

Hamburg: Institut für Asienkunde (2002), 254 pp.

Google Scholar (98)

WorldCat (99)

Media Ethics in Asia: Adressing the Dilemmas in the Information Age

Venkat Iyer (ed.)

Singapore: Asian Media Information and Communication Centre (AMIC); School of Communication and Information, Nanyang Technological University (SCI-NTU) (2002), 157 pp.

Google Scholar (120)

WorldCat (123)

Länderheft Korea und Japan: Der schwierige Weg der Versöhnung

Cordula Schmid (ed.)

Hamburg: Evangelisches Missionswerk in Deutschland (EMW) (2002), 240 pp.

Google Scholar (108)

WorldCat (109)

Voices of Courage: A Collection of International Stories and Experiences

Angela Ann Zukowski, Frances Forde Plude (ed.)

Brussels: UNDA (2001), 287 pp.

Google Scholar (129)

WorldCat (125)

Educommunication: Around the World in 50 Stories

Brussels: UNDA (2001), 102 pp.

Google Scholar (120)

WorldCat (121)

Illustrating Asia: Comics, Humor Magazines and Picture Books

John A. Lent (ed.)

Honolulu: University of Hawai'i Press (2001), ix, 249 pp.

"All of the articles consider cartoon and/or comic art in the historical and social setting of seven South, Southeast, and East Asian countries: India, Taiwan, Malaysia, Indonesia, Sri Lanka, China, and Japan. The contributors treat comic and narrative artincluding comic books, comic strips, pictu ... more

Google Scholar (125)

WorldCat (120)

Stories We Tell Our People: Asian Cinema, Cultures, Values and More

Jacob Srampickal, Leela Joseph (eds.)

New Delhi: OCIC Asia (2000), 167 pp.

"This collection, sponsored by the Asian office of the International Catholic Organization for Cinema (OCIC), provides an overview for the study of cinema in Asia. It consists of articles, more or less arranged in concentric circles, addressing cinema in general, Asian cinema, and the cinema of part ... icular countries. Authors include film critics, scholars, and film makers. The first and most general section asks how the cinema teaches values, examining the process of the construction of meaning. Jacob Srampickal, one of the volume's editors, sees the cinema as a mirror of social values while Peter Malone, the international president of OCIC and a film critic from Australia, examines the hopes and failures of cinema in teaching family values. He highlights in particular questions of patriarchy, commitment, cohabitation, separation and divorce, single parenting, careerism, rebellion, peer pressure, and sexual abuse as they appear in films. Virgilio Fantuzzi, a Rome-based film educator, provides a theoretical piece on transcendence in film and introduces a number of film makers known for their transcendental style. Jose Palakeel, the dean of studies at Ruhalaya in Central India, argues that audiovisual expression is particularly apt for the construction of meanings and values. Rooting his analysis in Jungian psychology, he notes that the individual constructs meaning and values through association of images, feelings, relationships, and intuitions. The section also includes Pope John Paul II's World Communication Day message of 1995, the centenary of the cinema. Because of its general character, this first section proves less helpful than the others in the book. Several of the writers correctly remark that their topics need more space for development. They do, however, raise key issues, particularly regarding the mechanisms through which cinema influences culture and society. The second section, on Asian cinema, returns to these themes. Gaston Roberge, the founder of Chitrabani in Calcutta, specifically investigates the film as a cultural object and tries to identify how people interact with it in the context of Asian cultures and values. Aruna Vasudev, the editor of Cinemaya, an Asian cinema magazine, argues that even in the face of Hollywood blockbusters an Asian cinema has emerged with an emphasis on "the continuity of certain traditions--the family, the community, honour, emotionalism" (p. 52). He illustrates these themes and concerns with examples of film from Taiwan, the Philippines, Korea, Japan, India, and Iran. The Sri Lankan film critic Tissa Abeyasekara raises a challenge to this view, acknowledging that, while there is cinema in Asia, it may not have developed a specifically Asian aesthetic or idiom. Noting cultural differences across Asia, he admits that Asian cinema does share at least two common elements--a lack of support for the medium and a lack of integration with the rich traditions of the plastic arts across the region. The book's third section, consisting of examples and studies from the various countries of Asia, proves the richest by far, particularly for a reader less familiar with Asian cinema. Satish Bahadur, a retired member of the Film and Television Institute of India, contributes a study of the cultural and historical factors that have shaped cinema in India, discussing themes, directors, styles, and audiences. For example, Indian life has made cinema an urban phenomenon, but one rooted in the culture of the village, with city dwellers still clinging to village values. This juxtaposition also helps to explain the side-by-side existence of the Bollywood film and the socially conscious film. Roberge adds another essay here that explores some specific films and their relationship to the Indian family. Rounding out the examination of India is Manjunath Pendakur, a professor of international communication at Northwestern University (USA). His essay on Indian documentary film traces the rise of an independent film industry, competing with official government documentary production. The cinema of other Asian countries receives briefer treatment. Tadao Sato, a Japanese film critic, penetratingly explores Japanese cinema by asking whether there is something "typically Japanese." His historical overview explains the rise of certain themes and approaches to acting and film making while relating these to the history of Japan in the twentieth century. Lawrence Saldanha, a film educator in Pakistan, surveys a young Pakistani industry, noting its mixed fortunes in the face of shifting government regulation. Nicasio Cruz, a film critic, traces the rise in Filipino cinema of the action spectacle and the teen heart-throb movie. Both connect to the immense popularity (and political success) of movie stars in Filipino culture. James Reuter, a film educator on the staff of the Catholic Church communication office, asks whether there is place for God in the midst of such spectacle and vulgar romance films. Finally, William Biernatzki, the editor of Communication Research Trends, and Taewon Suh, a university lecturer, provide an overview of cinema in the Republic of Korea. They look both at the state of the industry (affected by government quotas, censorship, and the threat of piracy) and at the development of a Korean aesthetic. The editors close the volume with reprinted "testimonies" from two great Indian directors: Satyajit Ray ("Why Do I Make Films?") and Shyam Benegal ("Values Are of Primary Importance to Me")." (https://www.thefreelibrary.com) more

Google Scholar (118)

WorldCat (104)

Television in Contemporary Asia

David French, Michael Richards (eds.)

New Delhi: Sage (2000), 457 pp.

"Exploring recent developments in Asian television systems in the context of the continually changing global environment, this book covers India, China, Korea, Malaysia, Singapore, Indonesia, Sri Lanka, Hong Kong, the Philippines, Taiwan and Japan. Country-based analyses are preceded by contribution ... more

Google Scholar (121)

WorldCat (115)

Internationales Handbuch für Hörfunk und Fernsehen 2000/2001

Hans-Bredow-Institut (ed.)

Baden-Baden: Nomos (2000), 926 pp.

External Link (191)

Google Scholar (103)

WorldCat (95)

Democracy and the Media: A Comparative Perspective

Richard Gunther, Anthony Mughan (eds.)

Campbridge: Cambridge University Press (2000), 496 pp.

Google Scholar (103)

WorldCat (100)

Déontologie des médias: Institutions, pratiques et nouvelles approches dans le monde

Henri Pigeat, Jean Huteau

Paris: UNESCO (2000), 574 pp.

Google Scholar (108)

WorldCat (112)

Handbook of the Media in Asia

Shelton A. Gunaratne (ed.)

London: Sage (2000), ix, 722 pp.

External Link (123)

Google Scholar (110)

WorldCat (97)

The New Communications Landscape: Demystifying Media Globalization

Georgette Wang, Jan Servaes, Anura Goonasekera (eds.)

London; New York: Routledge (2000), xvi, 343 pp.

"The innovative and rapid growth of communication satellites and computer mediated technologies in the late 1980s and early 1990s, combined with the deregulation of national broadcasting, led many media commentators to assume that the age of national media had been lost. But what has become clear is ... more

External Link (113)

Google Scholar (110)

WorldCat (109)

De-Westernizing Media Studies

James Curran, Myung-Jin Park (eds.)

London: Routledge (2000), 342 pp.

"De-Westernizing Media Studies brings together leading media critics from around the world to address central questions in the study of the media. How do the media connect to power in society? Who and what influence the media? How is globalization changing both society and the media?" (Publisher des ... more

Google Scholar (101)

WorldCat (90)

The Media at War: Communication and Conflict in the Twentieth Century

Susan L. Carruthers

New York; Houndmills, Basingstoke: Palgrave (2000), 321 pp.