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Picturing Afghanistan: The Photography of Foreign Conflict

Paul Verschueren

New York: Hampton Press (2012), xiii, 199 pp.

"Picturing Afghanistan is an in-depth account of the Euro-American visualization of the conflict in Afghanistan. Comparing images in public affairs, psychological warfare, journalism and the photobook, the author argues that there are no strong boundaries between photography in war and photography a ... more

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Picturing Atrocity: Photography in Crisis

Geoffrey Batchen, Mick Gidley, Nancy K. Miller (eds.)

London: Reaktion Books (2012), 319 pp.

"From the massacre of the Sioux Indians at Wounded Knee to the torture of prisoners at Abu Ghraib, from famine in China to apartheid in South Africa, Picturing Atrocity examines a broad spectrum of photographs. Each of the essays focuses specifically on an iconic image, offering a distinct approach ... more

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An Explosion of News: The State of Media in Afghanistan

Peter Cary

Washington, DC: Center for International Media Assistance (CIMA) (2012), 56 pp.

"The exponential media growth in Afghanistan over the last decade is due to the enthusiasm of Afghan entrepreneurs and to support from the United States and other nations, states this report. According to the executive summary "support from the United States, the biggest donor, has waxed and waned. ... more

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Asian Communication Handbook
Deep Insights

Sundeep R. Muppidi (ed.)

Singapore: Asian Media Information and Communication Centre (AMIC); Nanyang Technological University, Wee Kim Wee School of Communication and Information (2012), 466 pp.

"The first "theoretical perspectives" section has opinions and research articles by academic scholars and expert practitioners on new media and communication Issues and trends in Asia. Some of the topics covered include the dynamics arising out of the shift to the 'digilogue', mobile activism, corpo ... more

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Cluster Evaluation Report: UNDEF-Funded Media-Related Projects

Pierre Robert

United Nations Democracy Fund (UNDEF); Transtec (2012), 40 pp.

"This report is the cluster evaluation of 12 UNDEF-supported projects related to the media. It concerns projects that either focused on media capacity building or included a significant element of work with the media. The projects were implemented between 2007 and 2011; they lasted between 12 and 24 ... more

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Designs, Devices and Development: Audience Research as Creative Resource in the Making of an Afghan Radio Drama

Andrew Skuse, Marie Gillespie

Participations: Journal of Audience & Reception Studies, volume 8, issue 1 (2011), pp. 132-153

"This essay analyses the role of audience research as a change agent in media development interventions in Afghanistan. It analyses how audience research in transnational contexts involves a complex set of intercultural negotiations and translations that contribute to the enduring relevance and sust ... ainability of the highly popular Afghan radio soap opera New Home, New Life. This is a ‘development drama’ that has been broadcast across Afghanistan since 1993. It is based on BBC Radio 4’s The Archers and produced by BBC Afghan Education Projects (BBC AEP). Audience research has been vital to forging a dynamic relationship between the creative teams who make the drama, the donors who pay for it, and the audiences who consume it. The article addresses three broad themes. First, we outline how data gathered in formative audience research, prior to the creation of the drama, provides the creative team with the dramatic raw material for the radio serial. The extensive qualitative data gathered by Afghan researchers in local milieux is translated so as to enable culturally diverse teams of writers and producers to ground the serial narratives in the lived experiences of its audiences, and to introduce multiple local perspectives on development issues. Second, we show how evaluative audience research, data gathered in the postproduction phase, plays a key role in providing critical audience interpretations of New Home, New Life’s dramatic themes. In so doing, it creates feedback loops that allow audiences to become active participants in the ongoing creation of the drama. The research designs and devices, developed over the last two decades to document the changing life-worlds of Afghan citizens-cum-audiences, are part of an ongoing set of transcultural encounters that contribute to strengthening the social realist appeal of the drama and to calibrating how far any given storyline can be pushed in terms of cultural propriety. Third, we examine how during periods of military conflict, when routine audience research becomes dangerous or impossible and audience feedback loops are disrupted, the writers and producers have to rely on their own personal and political experiences, often with unpredictable ideological consequences. We draw attention to the limitations and challenges of making dramas for development in highly charged politicised and postcolonial contexts. While, development dramas may be a cheap and effective way of dealing with certain informational needs, such as landmine awareness, they cannot redress social and structural inequalities or, as Western donors wish, eradicate opium cultivation." (Abstract) more

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Starting a Local Radio Station: A Manual for Afghanistan

Parisa Saadatmand-Zitouni (comp.)

Arcata, Calif; Washington, DC; Kabul: Internews; USAID; Pact (2011), 100 pp.

"This manual describes the process for starting a local radio station—the organization of community support and planning, equipment needs, programming strategies, business growth and sustainability and journalistic ethics and standards. This manual does not insist that you follow a set of rules to ... more

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Analyzing Taliban Taranas (chants): An Effective Afghan Propaganda Artifact

Thomas H. Johnson, Ahmad Waheed

Small Wars & Insurgencies, volume 22, issue 1 (2011), pp. 3-31

"This article describes and analyzes a little understood Afghan Taliban propaganda tool: chants or taranas. These melodic refrains effectively use historical narratives, symbology, and iconic portraits. The chants are engendered in emotions of sorrow, pride, desperation, hope, and complaints to mobi ... more

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Radio Sound and Social Realism: In the Terrain of Drama for Development Production

Andrew Skuse

International Communication Gazette, volume 73, issue 7 (2011), pp. 595-609

"This article explores the use of sound in the context of two BBC World Service development-focused social realist radio drama productions in Afghanistan (New Home, New Life) and Nepal (Sweet Tales of the Sarangi). It examines the various ‘sound strategies' employed to enhance the realist aspirati ... more

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The Practice of Public Diplomacy: Confronting Challenges Abroad

William A. Rugh

New York: Palgrave Macmillan (2011), xviii, 262 pp.

"Relying heavily on scores of first-hand accounts collected through interviews, the studies examine the practice of public diplomacy largely from the perspective of American practitioners in different countries. The analyses follow the standard field officer approach, asking systematically: what iss ... more

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Afghanistan: Media and Telecoms Landscape Guide

infoasaid (2011), 72 pp.

"The Afghan media have flourished since the Taliban were ousted from power in 2001. Under Taliban rule, television was banned and there was only one government-controlled radio station. Today Afghanistan boasts over 75 TV stations, 175 radio station and hundreds of newspapers and magazines. However, ... more

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Drama for Development: Cultural Translation and Social Change
Deep Insights

Andrew Skuse, Marie Gillespie, Gerry Power (eds.)

Thousand Oaks, Calif.: Sage (2011), xxiii, 324 pp.

"By assessing edutainment as a space of cultural translation, Drama for Development advances an often neglected perspective in this topics' research. It focuses on what happens when various goals, worldviews and needs from donors, producers and the audiences come together in the production and meani ... more

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Minutes from the International Partnership Meeting

Copenhagen: International Media Support (IMS) (2010), 40 pp.

"This report provides an overview of the discussions and conclusions from the International Partnership Meeting in New York on 26 January 2010 organised by the Open Society Institute and International Media Support. At the meeting, 30 media support and press freedom organisations from across the wor ... more

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Make it Theirs: The Imperative of Local Ownership in Communications and Media Initiatives
Deep Insights

Simon Haselock

Washington, DC: United States Institute of Peace (USIP) (2010), 17 pp.

"This report presents the author's experiences regarding the relation of international interventions and local institutions in the (post-)conflict countries of Bosnia, Kosovo, Iraq, Sudan and Afghanistan. Haselock states that media reforms are most successful where they are the result of partnership ... more

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The Digital Origins of Dictatorship and Democracy: Information Technology and Political Islam

Philip N. Howard

Oxford; New York: Oxford University Press (2010), xii, 285 pp.

"Around the developing world, political leaders face a dilemma: the very information and communication technologies that boost economic fortunes also undermine power structures. Globally, one in ten internet users is a Muslim living in a populous Muslim community. In these countries, young people ar ... more

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Afghan Media in 2010: Synthesis Report

Eric Davin, Philibert de Mercey, Carlotta Tincati, Kinga Komorowska, Arezo Malakooti, Sébastien Duhaut

Altai Consulting; USAID (2010), 178 pp.

"In 2004-2005, the United States Agency for International Development’s (USAID) Office of Transition Initiatives commissioned Altai Consulting to conduct the first comprehensive media evaluation of the Islamic Republic of Afghanistan, looking at the impact of the Afghan media on opinions and behav ... iors three years after the beginning of the country’s reconstruction. The evaluation found, among other things: that Afghans were avid and sophisticated media users and that cultural barriers to media use were less significant than previously expected; that the radio played a predominant role throughout the country; and that media are instrumental in social progress and education. However, since publication of that report1, Afghanistan’s media sector has seen important changes. To inform future assistance from the international community to the Afghan media, it was deemed necessary to assess the current state of the Afghan media – by reflecting a full and accurate audience profile, to determine program preferences, to measure the impact of the Afghan media on local opinions and behaviors and to gauge Afghan expectations in terms of programming and messaging. A large-scale research project was thus planned and conducted from March to August 2010. This research included a deep probe into the media sector and the public’s behaviors and expectations. The methodology used to achieved this included a combination of: literature review; direct observations; key informant interviews with most relevant actors involved in the media sector; 6,648 close-ended interviews in more than 900 towns and villages of 106 districts, covering all 34 provinces of the country; an audience survey on more than 1,500 individuals run daily for a week; about 200 qualitative, open-ended interviews; and 10 community case studies. Such an effort guarantees that results presented here are fairly representative of the Afghan population at large. This document provides a comprehensive synthesis of data collected during the survey. A database of media actors, 16 priority district reports, 10 case study reports, a complete description of the methodology and the original datasets from the main quantitative research and the audience research are publicly available, allowing anyone interested to access more focused information as needed." (Introduction, page 8) more

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Peace Journalism, War and Conflict Resolution
Deep Insights

Richard Keeble, John Tulloch, Florian Zollmann (eds.)

New York: Peter Lang (2010), xi, 373 pp.

"Peace Journalism, War and Conflict Resolution draws together the work of over twenty leading international writers, journalists, theorists and campaigners in the field of peace journalism. Mainstream media tend to promote the interests of the military and governments in their coverage of warfare. T ... more

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Afghanistan Media Assessment: Opportunities and Challenges for Peacebuilding

Eran Fraenkel, Emrys Shoemaker, Sheldon Himelfarb

Washington, DC: United States Institute of Peace (USIP) (2010), 40 pp.

"[...] International donor support for Afghanistan's media has had two primary goals. The short-term goal has been to counteract the effects of insurgent communications in order to win the hearts and minds of the Afghan people. The long-term goal has been to create a free and independent media secto ... r that will continue to function after donor support has ended. Although millions of dollars have been invested in the development of the Afghan media sector and the growth of private media since 2001 is considered one of Afghanistan's greatest success stories, neither of these donor goals is being met. Donor support for Afghan media has led to the growth of radio and television outlets that are almost entirely dependent on foreign funding - direct and indirect. Recent strategic communications policies have neither diminished nor adequately countered the presence of extremist voices in Afghanistan. Despite some examples to the contrary, Taliban communications continue to affect the lives of ordinary Afghans, whereas many communications by and from Western sources do not. Neither short- nor mid-term analysis of the Afghan economy - ranked the third poorest in the world by the United Nations Development Program (UNDP) - foresees the growth of a market able to sustain Afghanistan's domestic media sector without foreign financing. The limited impact of Western communications endeavors, in conjunction with the predicted continued weakness of the Afghan economy, reveals an urgent need for a dramatic shift in the media strategies and goals pursued by the United States and its allies. First and foremost, donors should invest primarily in the Afghan media's production and dissemination of socially constructive contents rather than in building media institutions or infrastructure that the Afghan economy cannot support. For these contents to be received as authentic and credible, they must reflect the vulnerabilities and priorities that Afghans themselves have identified as vital. Donors should make a multiyear funding commitment to the media in Afghanistan. Support should be allocated to both terrestrial and wireless media through a transparent and competitive process developed jointly by donors and Afghan media experts. Aggressively supporting the dissemination of socially constructive contents through new outlets will permit access to both geographic and demographic segments of the population not adequately served by current media outlets." (Summary, page 3) more

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Can You Help me Now? Mobile Phones and Peacebuilding in Afghanistan

Sheldon Himelfarb, Cecilia Paradi-Guilford

Washington, DC: United States Institute of Peace (USIP) (2010), 15 pp.

"A decade ago, mobile phone usage in Afghanistan was almost nonexistent; now there are 13 million subscriptions for a total of 29 million citizens, and the annual growth rate of subscription is estimated at 53 percent. A number of factors have fueled this dramatic increase, including the sheer popul ... more

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Afghanistan, War and the Media: Deadlines and Frontlines

Richard Lance Keeble, John Mair (eds.)

Bury St Edmunds, Suffolk: Arima Publishing (2010), x, 295 pp.

"This book explores the journalism coming out of the Afghan war from the frontline and from the greater comfort of the library. It is an unusual hybrid: the testimony of some of the best frontline correspondents of our era, much of it placed in appropriate historical contexts, alongside detailed aca ... demic analysis – and much more. It ranges from the poppy fields of Helmand province to New York via the Iraq War and the modern rebirth of “embedding”. It mixes action, reflection and analysis and focuses on some of under-reported groups such as women and the humanitarian effort in Afghanistan. It has its origin in a conference in Coventry in March 2010 put on as part of the university’s Coventry Conversations series (with financial support from the Pro Vice-Chancellor and the Dean of Business) in conjunction with the BBC College of Journalism and journalism.co.uk (the website forum for digitally active journalists). All of that conference can be seen and heard on bbc.co.uk/journalism and Coventry.ac.uk/itunesu. Many of the contributors to this book took part in that conference though some extra pieces have been specially commissioned. The war in Afghanistan will soon be coming up to its tenth anniversary. Operation Enduring Freedom started on 7 October 2001 as a response to the 9/11 al-Qaeda attacks on the Twin Towers in New York. Freedom in Afghanistan has far from endured in that decade. There are today 100,000-plus US troops, 10,000-plus British troops and 17,000 from ISAF allies – including Germany, France, Italy, Poland and Canada. US intelligence admit that there are now fewer than 100 al-Qaeda (the reason for invading in the first place) fighters left in the country and that the Taliban could fight on for ever. British Prime Minister David Cameron told the House of Commons on 14 June 2010 after his return from his first official visit to Afghanistan that it was only the presence of the ISAF troops that kept al-Qaeda from returning to Afghanistan in numbers. The West is fighting a phantom and desperately searching for an exit strategy. The trouble is they will leave behind an Afghan government scarred by illegitimacy, corruption and more. The Killing Fields will continue for a while yet. Journalism has escaped comparatively lightly – just nine Western journalists killed in Afghanistan since 2001. Like all big stories, this war has attracted the cream of British journalistic talent especially the broadcast reporters. TV awards have been won on the field of battle by the new Brahmins – the war corrs parachuted in and out of Helmand. The idea for the conference and for the book took hold when I judged the Royal Television Society News Programme of the Year Awards for 2009. All entries featured front line action from their stars. Many of them have contributed to this book." (Pages 3-4) more

Asian Communication Handbook Deep Insights

Drama for Development: Cultural Translation and Social Change Deep Insights

Make it Theirs: The Imperative of Local Ownership in Communications and Media Initiatives Deep Insights

Peace Journalism, War and Conflict Resolution Deep Insights

Asian Communication Handbook
Deep Insights

Drama for Development: Cultural Translation and Social Change
Deep Insights

Make it Theirs: The Imperative of Local Ownership in Communications and Media Initiatives
Deep Insights

Peace Journalism, War and Conflict Resolution
Deep Insights