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Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
Bloomington: Indiana University Press (2009), x, 441 pp.
"Ashish Rajadhyaksha argues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. Taking as his timeframe the era of celluloid, which is also marked by public experiences of spectatorship and uses
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Writing National Cinema: Film Journals and Film Culture in Peru
Hanover, NH; London: Dartmouth College Press; University Press of New England (2009), viii, 276 pp.
"Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinéma, Hablemos de cine began with a group of young critics interested in claiming the
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Fokus Bollywood: Das indische Kino in wissenschaftlichen Diskursen
Wien et al.: Lit (2009), 184 pp.
"Bollywood ist nicht nur ein Lifestylephänomen, auch die Wissenschaft beschäftigt sich zunehmend mit indischer Populärkultur. An der Universität Wien findet seit Jahren wichtige Forschung zu diesem Thema statt. Dieser Sammelband vereint Beiträge aus so unterschiedlichen Disziplinen wie Kultur-
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Tamil Cinema
Communication Research Trends, volume 28, issue 4 (2009), pp. 3-27
"India, unlike the USA, has multiple centers of production just as its languages and cultures still maintain their identities in India instead of being amalgamated into a singlular overarching popular culture as appears in the Los Angeles-dominated film industry of the United States. Even with produ
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Images et paix: Les Rwandais et les Burundais face au cinéma et à l'audiovisuel
Deep Insights
Leuven: Afrika Filmfestival (2008), 605 pp.
"Les Rwandais et les Burundais ont une culture cinématographique et audiovisuelle captivante et centenaire. Elle a été introduite pendant l’époque coloniale allemande et est ensuite tombée dans les mains des Belges qui l’ont développée après. Au Rwanda/Burundi, ils produisaient des films
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Tamil Cinema: The Cultural Politics of India's Other Film Industry
London; New York: Routledge (2008), xvi, 201 pp.
"Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It o
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Global Bollywood
New York; London: New York University Press (2008), vi, 314 pp.
Nollywood: The Video Phenomenon in Nigeria
Oxford; Ibadan; Bloomington: James Currey Publishers; HEBN Publishers; Indiana University Press (2008), xii, 147 pp.
"Welche Faktoren für die Produktion eines afrikanischen Films in Namibia nötig sind, wird in der vorliegenden Diplomarbeit analysiert. Gegenstand ist die Darstellung der Filmwirtschaft Namibias mit all ihren Aspekten, Vor- und Nachteilen. Sehr konkret wird die Entwicklung der letzten Jahre und des
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The Bollywood Reader
Maidenhead: Open University Press (2008), xi, 301 pp.
Trends in Audiovisual Markets: China, Mongolia and South Korea
Bejing: UNESCO (2007), 106 pp.
Pop Culture China! Media, Arts, and Lifestyle
Santa Barbara, Calif.: ABC-CLIO (2007), xvii, 384 pp.
Media, Culture and Politics in Indonesia
Jakarta: Equinox (2007), x, 245 pp.
The Cinema of Small Nations
Edinburgh: Edinburgh University Press (2007), vi, 250 pp.
Iranian Cinema and the Islamic Revolution
Jefferson, N.C.; London: McFarland (2006), ix, 200 pp.
"Until recent years Iranian cinema was relatively unknown. Even now, in spite of international award-winning productions, it is under-exposed relative to films from other countries. This volume examines Iranian cinema before and after the Islamic Revolution of 1979." (Publisher description)
Dreams of a Nation: On Palestinian Cinema
London, New York: Verso (2006), 213 pp.
Pop Culture India! Media, Arts, and Lifestyle
Santa Barbara, Calif.: ABC-CLIO (2006), xx, 336 pp.
"The purpose of this book is to provide a first step for anyone interested in discovering popular culture in India today. The chapters cover cinema, television, and radio; newspapers and magazines; music, theater, and literature; and sport, providing an explanation of the critical developments in ea
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