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The Representation of Genocide in Graphic Novels: Considering the Role of Kitsch

Laurike in t' Veld

Cham: Palgrave Macmillan (2019), ix, 230 pp.

"This book mobilises the concept of kitsch to investigate the tensions around the representation of genocide in international graphic novels that focus on the Holocaust and the genocides in Armenia, Rwanda, and Bosnia. In response to the predominantly negative readings of kitsch as meaningless or in ... more

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Comunicar derechos en el posconflicto: Caja de herramientas y estrategias
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Guilherme Canela et al.

World Bank; UNESCO (2019), 304 pp.

"Queremos entender la comunicación y el acceso a la información como medios para la conquista de otros derechos. Hay innumerables rutas que podríamos tomar para llegar a este destino; la elegida acá es la que entiende la comunicación como un ecosistema complejo que debe estar imbricado en la co ... more

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'Screening' Transitional Justice in Serbia: ICTY Representations and the Memory of War Crimes in Serb Television Media

Anna Geis, Katarina Ristic, Vladimir Petrovic

Osnabrück: Deutsche Stiftung Friedensforschung (DSF) (2019), 41 pp.

"The visual presentation of the Serb accused in TV news was based on iconic images of the accused combined with symbolic images of the state and its power, with nearly complete absence of visuals of atrocities and victims. In contrast, the visual presentation of the Croatian, Bosniak and Albanian de ... more

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Transmitted Wounds: Media and the Mediation of Trauma

Amit Pinchevski

New York: Oxford University Press (2019), vii, 186 pp.

"Transmitted Wounds explores the ways media shape the social life of trauma both clinically and culturally. Through a series of case studies - from the radiocasts of the Eichmann trial to virtual reality therapy for PTSD - Pinchevski offers a bold thesis about the deep association of media and traum ... more

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The Role of the Media in Fostering a Culture of Critical Engagement in the Context of Mass Atrocities: Examples from Rwanda, Colombia and South Sudan

Mark Frohardt, Paula Orlando

In: Media and Mass Atrocity: The Rwanda Genocide and Beyond

Allan Thompson (ed.)

Waterloo, Ontario: Centre for International Governance Innovation (2019), pp. 205-234

"A brief recap of the examples discussed here suggests, among other things, the following considerations: When information circulation is limited due to censorship or security concerns, it may be necessary to restrict information to what is essential for survival. In the case of BBTT in South Sudan, ... humanitarian information is produced and transmitted by residents of the UN protected sites, in local languages and for local residents only; Likewise, in post-genocide Rwanda, where broadcasting news about atrocities would have been very challenging, the newsreel project provided information and space for discussion for different groups, while creating a conversation that extended beyond each screening and location; BBTT and the newsreels project also demonstrate that closed environments may be the best option to provide information safely and allow for open discussions among individuals affected by violence. By employing the use of listening and discussion groups, the program furthers its goal of engaging residents and extending their participation in the local form of public sphere. These controlled environments are particularly important to encourage the participation of victims, women and other marginalized groups in dialogue; Training and engaging citizens to gather, curate and disseminate content, as BBTT does with community correspondents, is an effective way to provide information that matters to people's lives and to foster a culture of critical engagement. These processes potentially help communities rebuild media structures once the political situation stabilizes; Media outlets that create avenues for interaction and feedback tend to be most successful in providing content that is relevant and engaging to audiences, as in the case of Sawa Shabab in South Sudan; Drama, games, storytelling and other forms of engagement with narratives provide opportunities for individuals to work together, regain social trust, learn about alternate forms of participation and reconstruct symbolic narratives, as demonstrated by the examples in Colombia; Recognition of the suffering of the victims as well as of their agency in resisting violence is also crucial in a post-atrocities context. This may come in the form of interactive media-making by citizens or in initiatives supported by media or research organizations such as the National Center for Historical Memory." (Pages 226-227) more

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Illustrated (Hi)stories

Elisabeth Desta (ed.)

Bonn: Bundeszentrale für politische Bildung (bpb) (2018), 207 pp.

"Das Gedenken an den Ersten Weltkrieg in Deutschland und Europa ist nach wie vor sehr auf die europäische Perspektive beschränkt. Tatsächlich war der Krieg ein globaler: Millionen Soldaten aus kolonisierten Gebieten nahmen an den Kämpfen teil. Die Kolonialtruppen bildeten ein wesentliches Elemen ... more

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El arte desde el pasado fracturado peruano

Cynthia E. Milton (ed.)

Lima: IEP Ediciones (2018), 343 pp.

"La Comisión de Verdad y Reconciliación no solo documentó la violencia política de las décadas del ochenta y noventa, sino que también le dio a los peruanos una oportunidad única para examinar las causas y la naturaleza de esa violencia. En El arte después de un pasado fracturado peruano, ac ... more

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Formen des Vergessens

Aleida Assmann

Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2018), 224 pp.

"Angesichts der gegenwärtigen Dominanz der Auseinandersetzung mit Erinnerung haben wir das Vergessen anscheinend vergessen. Tatsächlich ist aber nicht das Erinnern, sondern das Vergessen der Grundmodus menschlichen und gesellschaftlichen Lebens. Für das Erinnern bedarf es einer aktiven Anstrengun ... more

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Filmische Zeugenschaft im Abseits: Kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal

Robert Stock

Bielefeld: transcript Verlag (2018), 284 pp.

"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s ... more

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Trauma, Memory and Religion

Freek Bakker, Lucien van Liere (eds.)

Journal for Religion, Film and Media (JRFM), volume 4, issue 1 (2018), pp. 7-77

"How can we screen trauma? This question might lead the perception of documentary movies about atrocities in the 20th and 21st centuries, like S21 The Khmer Rouge Killing Machine (Rithy Panh, CAMB/FR 2003) about Cambodia, The Look of Silence (Joshua Oppenheimer, ID/DK 2014) about Indonesia or Das Ra ... dikal Böse about Nazi-Europe. The first concern emerge as we watch movies on atrocities is whether these artistic representations perhaps guide the public away from what “really happened”. There certainly is a huge gap between, on the one hand, the immediate experience of the event that lies behind the interpretative screening and, on the other hand, watching the director’s material while neither part nor ever having been part of the event. Yet often filmic representations are not intended to show what happened; instead they present case studies to be explored in the present. Rity Panh, director of S21, argued in an interview with Joshua Oppenheimer, that if we can’t distinguish between perpetrator and victim, it becomes impossible to mourn. For Panh, his film is more than historic interpretation or a perspective on memory; it poses the broad question of how we think about perpetrators and victims in multiple contexts. In S21 Panh shows how in post-genocide Cambodia perpetrators are confronted by one of their victims. The question of why they acted as they did is swiftly transformed into a question of how they did so. The confrontation is set in Tuol Sleng, a former high school in Pnhom Penh where torture was carried out during the Khmer Rouge regime. In films like S21, Das radikal Böse and The Act of Killing, one question continually resounds for the audience: Is this what we are as human beings? What appears on the screen therefore challenges the audience with a moral question: what would you do? It is this question, heard in the present, that makes movies like S21, Das radikal Böse and The Act of Killing so immediate. In a way they look to confront a public that might already know the language of human rights. Breaking through established idioms by portraying perpetrators in specific situations, sometimes with the perpetrators playing themselves as in S21 and The Act of Killing, seems a missionary purpose for these directors. Indeed, their movies are hardly about a past; they establish a critical link between past and present and break through the dichotomic simplicity of good guys and bad guys. But the questions raised by the movies are hardly open questions. Often the movies contain an inherent critique of genocidal violence and present humanistic perspectives on obedience. Mostly, these movies underline the humanity of the victims, seeking to give names, faces and biographies so that they are much more than just numbers." (Editorial, pages 7-8) more

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Digital Memory Studies: Media Pasts in Transition

Andrew Hoskins (ed.)

New York; London: Routledge (2018), xii, 313 pp.

"Digital media, networks and archives reimagine and revitalize individual, social and cultural memory but they also ensnare it, bringing it under new forms of control. Understanding these paradoxical conditions of remembering and forgetting through today’s technologies needs bold interdisciplinary ... more

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Digital Asia

Berlin: Heinrich Böll Stiftung (2018), 40 pp.

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O Holocausto no cinema

Revista do Instituto Humanitas Unisinos, issue 501 (2017), pp. 14-49

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Memorias: 12 historias periodísticas

Bogotá: Consejo de Redacción; Konrad-Adenauer-Stiftung (KAS) (2017), 249 pp.

"La publicación “Memorias: 12 historias que nos deja la guerra” es una apuesta y un acercamiento a los diversos acontecimientos que se entretejen en las regiones colombianas, a las memorias que víctimas, excombatientes, comunidades indígenas, afrodescendientes, líderes sociales y el país en ... more

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The Asaba Massacre: Trauma, Memory, and the Nigerian Civil War

S. Elizabeth Bird, Fraser M. Ottanelli

Cambridge: Cambridge University Press (2017), xvii, 239 pp.

"In October 1967, early in the Nigerian Civil War, government troops entered Asaba in pursuit of the retreating Biafran army, slaughtering thousands of civilians and leaving the town in ruins. News of the atrocity was suppressed by the Nigerian government, with the complicity of Britain, and its sig ... more

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Holocaust memory in a globalizing world

Jacob S. Eder, Philipp Gassert, Alan E. Steinweis (eds.)

Göttingen: Wallstein Verlag (2017), 278 pp.

"Remembering the Holocaust is a central part of historical awareness and political culture in reunified Germany, Israel, and the United States. But can the same be said for other parts of the world? How have societies that were not affected by occupation and extermination measures under the Nazi reg ... more

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Disaster Drawn: Visual Witness, Comics, and Documentary Form

Hillary L. Chute

Cambridge, Mass.; London: Belknap Press; Harvard University Press (2016), 359 pp.

"In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by d ... more

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Zimbabwe’s State-Controlled Public Media and the Mediation of the 1980s Genocide 30 Years On

Shepherd Mpofu

Journal of African Media Studies, volume 8, issue 2 (2016), pp. 145-165

"Since the end of genocide in 1987 Zimbabwe has remained a zone of ‘conflicts’, and the enduring debates surrounding this genocide, especially in public-owned but state-Controlled media, call for critical attention. Three years after independence, in 1980, Zimbabwe was plunged into a genocide na ... more

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Pistas para narrar la memoria: Periodismo que reconstruye las verdades

Bogotá: Consejo de Redacción; Konrad-Adenauer-Stiftung (KAS) (2016), 204 pp.

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Memory in a Mediated World: Remembrance and Reconstruction

Andrea Hajek, Christine Lohmeier, Christian Pentzold (eds.)

Houndmills, Basingstoke; New York: Palgrave Macmillan (2016), 307 pp.

"Considering both retrospective memories and the prospective employment of memories, Memory in a Mediated World examines troubled times that demand resolution, recovery and restoration. Its contributions provide empirically grounded analyses of how media are employed by individuals and social groups ... more

Comunicar derechos en el posconflicto: Caja de herramientas y estrategias Key Guides

Comunicar derechos en el posconflicto: Caja de herramientas y estrategias
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