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A cat-and-Maus game: The politics of truth and reconciliation in post-conflict comics
Review of International Studies, volume 45, issue 4 (2019), pp. 588-606
"Several scholars have raised concerns that the institutional mechanisms through which transitional justice is commonly promoted in post-conflict societies can alienate affected populations. Practitioners have looked to bridge this gap by developing ‘outreach’ programmes, in some instances commi
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Documenting atrocities around the world: Why engage with the perpetrators?
International Journal of Cultural Studies, volume 22, issue 6 (2019), pp. 804-822
"Following a century filled with violations of human rights, a significant number of documentary films have appeared since the first decade of the current century that report these events. Traditionally this process is carried out from the victims’ point of view. However, a new tendency has emerge
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Memories of Gukurahundi Massacre and the Challenge of Reconciliation
Studia Historiae Ecclesiasticae, volume 45, issue 1 (2019), 14 pp.
"When Zimbabwe attained her independence from colonial powers in 1980, prospects of a peaceful nation were high, especially following the pledge made by the Prime Minister Elect in his victory speech. Isaiah 2:4b was quoted as a metaphor of peace, but things did not turn out as expected in the follo
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Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue
Bloomington: Indiana University Press (2019), 272 pp.
"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
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El arte desde el pasado fracturado peruano
Lima: IEP Ediciones (2018), 343 pp.
"La Comisión de Verdad y Reconciliación no solo documentó la violencia política de las décadas del ochenta y noventa, sino que también le dio a los peruanos una oportunidad única para examinar las causas y la naturaleza de esa violencia. En El arte después de un pasado fracturado peruano, ac
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Das Kongo Tribunal
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2018), 302 pp.
"Seit mehr als 20 Jahren herrscht Bürgerkrieg im Kongo. Über drei Millionen Menschen haben bereits ihr Leben verloren. Der Kampf um Rohstoffe wie Coltan, Zinn und Kupfer, an denen der Ostkongo reich ist, spitzt sich weiter zu. 2015 inszenierte der Schweizer Regisseur und Theaterautor Milo Rau das
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The Perpetrator’s mise-en-scène: Language, Body, and Memory in the Cambodian Genocide
Journal of Perpetrator Research, volume 2, issue 1 (2018), pp. 65-94
"Rithy Panh’s film 'S-21. The Khmer Rouge Killing Machine' (2003) was the result of a three-year shooting period in the Khmer Rouge centre of torture where perpetrators and victims exchanged experiences and re-enacted scenes from the past under the gaze of the filmmaker’s camera. Yet, a crucial
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Performing Trauma in Central Africa: Shadows of Empire
Bloomington: Indiana University Press (2018), xviii, 348 pp.
"What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of
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Holocaust memory in a globalizing world
Göttingen: Wallstein Verlag (2017), 278 pp.
"Remembering the Holocaust is a central part of historical awareness and political culture in reunified Germany, Israel, and the United States. But can the same be said for other parts of the world? How have societies that were not affected by occupation and extermination measures under the Nazi reg
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Das Theater der Unterdrückten und Vergangenheitsaufarbeitung in Afghanistan: Kollektive Ermächtigung und neue Dependenzen
Peripherie, volume 37, issue 1 (2017), pp. 52-75
"Seit März 2007 organisieren lokale und internationale Aktivist*innen in verschiedenen Teilen Afghanistans beinah täglich Aktivitäten mit den unterschiedlichen Techniken des Theaters der Unterdrückten (TdU) des Brasilianers Augusto Boal (1931-2009) sowie anderen emanzipatorischen Theatermethoden
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Training journalists in times of transition: The case of Kosovo
Journalism Education, volume 6, issue 2 (2017), pp. 37-47
"With Kosovo as its case, this article explores the context and challenges of journalism education in transition societies. Journalists in Kosovo have lived through constant changes from authoritarian to democracy. In this struggle, journalism education has never been stable and steady. The past con
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Digital Trauma Processing in Social Media Groups: Transgenerational Holocaust Trauma on Facebook
Hungarian Historical Review, volume 6, issue 2 (2017), pp. 355-376
"In recent years, more and more social media (Facebook) groups have been created dealing with memories of the Holocaust in Hungary. In this article, I analyze and compare two groups, “The Holocaust and My Family” and “The Descendants of the Victims and Survivors of the Holocaust” in the fram
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A Conceptual Framework for Dealing with the Past
Bern: Swiss Peace Foundation (2016), 20 pp.
Media and Transitional Justice: A Dream of Symbiosis in a Troubled Relationship
New York: International Center for Transitional Justice (ICTJ) (2016), 18 pp.
"Arriving at a collective memory of the past is one of the greatest challenges facing a post-conflict society because it implies reaching a degree of consensus in a polarized context. While truth commissions attempt to present an objective account of the events of a society’s repressive or violent
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Survival Media: The Politics and Poetics of Mobility and the War in Sri Lanka
New York: Palgrave Macmillan (2016), xvi, 133 pp.
"Through the narratives and movements of survivors of the war in Lanka these interconnected essays develop the concept of 'survival media' as embodied and expressive forms of mobility across borders." (Publisher description)
