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Global Expression Report

Article 19 (2025)

"More than 5.6 billion people have experienced a decline in their freedom of expression over the last 10 years. Scores have sunk in 77 countries, and only 35 countries are now ranked as ‘Open.’ Only 4% of us – fewer than 300 million people – across just 15 countries have experienced improvem ... more

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2025 Technology and Innovation Report: Inclusive Artificial Intelligence for Development

New York: United Nations Conference on Trade and Development (UNCTAD) (2025), xiii, 168 pp.

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Artificial Intelligence Index Report 2025
Deep Insights

Nestor Maslej, Loredana Fattorini et al.

Stanford: Stanford University, Institute for Human-Centered AI (2025), 456 pp.

"Welcome to the eighth edition of the AI Index report. The 2025 Index is our most comprehensive to date and arrives at an important moment, as AI’s influence across society, the economy, and global governance continues to intensify. New in this year’s report are in-depth analyses of the evolving ... more

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Hate Speech Events in India. Report 2025

Washington, DC: India Hate Lab (IHL); Center for the Study of Organized Hate (CSOH) (2025), 111 pp.

"India Hate Lab (IHL) documented 1,318 hate speech events targeting religious minorities, particularly Muslims and Christians, in 2025 across 21 states, one union territory, and the National Capital Territory (NCT) of Delhi. On average, four hate speech events occurred per day. This marks a 13% incr ... more

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Vibrant Information Barometer: Europe & Eurasia
Deep Insights

Washington, DC: IREX; USAID (2024), 357 pp.

"The 2024 Europe and Eurasia Vibrant Information Barometer (VIBE) covers 18 countries throughout Europe, Eurasia, and Central Asia. With VIBE, IREX strives to capture a modern and evolving media space where people are simultaneously producers, transmitters, consumers, and actors in the information t ... more

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The State of Broadband 2024: Leveraging AI for Universal Connectivity. Part One

Geneva: ITU; Broadband Commission for Sustainable Development (2024), iv, 57 pp.

"The Broadband Commission for Sustainable Development welcomes stakeholders and partners to work on achieving universal and meaningful connectivity by 2030, to ensure not just connectivity, but also that those who are connected have the skills and knowledge to use it. Five considerations for the roa ... more

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Freedom on the Net 2024: The Struggle for Trust Online

Allie Funk, Kian Vesteinsson, Grant Baker

Washington, DC: Freedom House (2024), 43 pp.

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Venezuela: Situación del Derecho a la Libertad de Expresión e Información. Informe 2023

Carlos Correa (coord.)

Caracas: Espacio Público (2024), 184 pp.

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The State of Press Freedom in Southern Africa 2024

Reyhana Masters, Nqaba Matshazi, Kholwani Nyathi

UNESCO (2024), 106 pp.

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Digital Rights Violations: Annual Report 2023-2024

Ena Bavcic, Tijana Uzelac, Adina Florea et al.

Balkan Investigative Reporting Network (BIRN) (2024), 153 pp.

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Mapping of Media and Information Literacy Initiatives in Ibero-America - 2023

Montevideo: UNESCO (2024), 34 pp.

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Killing the Messenger 2023: An Analysis of News Media Casualties

London: International News Safety Institute (INSI) (2023), 18 pp.

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State of Play: Trends in Terrorist and Violent Extremist Use of the Internet 2022

Tech Against Terrorism (2023), 32 pp.

"This report covers key trends and developments in terrorist and violent extremist (TVE) use of the internet over 2022. It aims to highlight the principal shifts in TVE behaviour and tactics online, and to inform more comprehensive, cross-industry responses to countering TVE exploitation of the inte ... more

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Cartoonists on the line: Report on the situation of threatened cartoonists around the world 2020-2022

Cartooning for Peace; UNESCO (2023), 32 pp.

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Observatorio Iberoamericano de Ficción Televisiva OBITEL 2023. As produtoras independentes e a internacionalização da produção de ficção televisiva na Ibero-América = Las productoras independientes y la internacionalización de la producción de ficción televisiva en Iberoamérica
Deep Insights

Maria Immacolata Vassallo de Lopes, Juan Piñon, Catarina Duff Burnay, Rosario Sánchez Vilela, Mónica S. Kirchheimer (eds.)

Santiago de Chile: Ediciones Universidad Católica de Chile (2023), 367 pp.

"Probablemente, el indicador más elocuente del descenso en la producción es que, sumados, los mismos países produjeron en 2022 un 54% de lo que producían en 2012. El gráfico 3 muestra las caídas ocurridas en cada país. A nivel agregado, los niveles de producción de 2012 son similares a los ... de 2017, pero a partir de ahí empieza una disminución que se agudiza durante la pandemia, se recupera parcialmente en 2021 y vuelve a caer en 2022. A los factores ya mencionados como algunas de las posibles causas de la caída, el descenso inversión publicitaria y desplazamiento de hacia las plataformas, cabe considerar otros dos que apuntan a la sustitución: la ya consolidada presencia de telenovelas turcas y de otros orígenes incipientes y también la competencia de las reposiciones. La brecha en la calidad visual de las realizaciones de fines de los años 90 en adelante, respecto de las actuales, es baja. Telenovelas históricas como Terra Nostra, Betty la Fea o Pasión de Gavilanes se reprograman y son consumidas de un modo parecido a las actuales. Un elemento recurrente entre los capítulos nacionales de este informe es relevar la importancia de la reposición de materiales ya exhibidos. Los intercambios de contenidos audiovisuales entre países iberoamericanos han estado presentes por décadas, pero hay fuertes diferencias en las cantidades de producciones que cada país importa o exporta. Asimismo, también hay diferencias en la variedad de orígenes desde los que se importan contenidos. En los capítulos nacionales se muestra la cantidad de títulos y horas de ficción televisiva de estreno iberoamericana de exhibida en el país durante 2022. Vistas individualmente, muestran los consumos locales. Sin embargo, al combinarlas, revelan los flujos de intercambios de producciones entre países.Eso es lo que se muestra en la tabla 3, usando las horas como unidad de medida. La tabla 3 puede leerse vertical y horizontalmente. Leída verticalmente, muestra el origen de la ficción televisiva de estreno exhibida en cada país. Horizontalmente, muestra los distintos países en que se exhibió ficción televisiva originada en un país [...] La tabla 3 muestra que el principal país exportador de ficción televisiva en Iberoamérica es México, al igual que en los años anteriores. En 2022 vendió contenidos a todos los países, salvo Portugal, siendo además, con la excepción del cono sur, el principal exportador hacia cada uno de los países de la región. En segundo lugar, tanto en volumen como en cantidad de países a los que exportó, está Brasil. Un caso llamativo es Colombia: no sólo redujo sus exportaciones en casi un 60%, sino que su producción se redujo en un 53%, fundamentalmente por la reducción en la producción de telenovelas. Los casos de España y Portugal son interesantes en 2022 por la misma razón que lo fueron en 2021. Su volumen de producción los ubica sólo por debajo de Brasil o México y muy por encima de todos los demás países. La factura de sus realizaciones es de alto estándar. Sin embargo, sus niveles de exportaciones no alcanzan al 5% de lo producido." (Páginas 26-28) more

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State of the Media Report in 2022

Mogadishu: National Union of Somali Journalists (NUSOJ) (2023), 22 pp.

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The State of Broadband 2023: Digital Connectivity a Transformative Opportunity

Geneva: ITU; Broadband Commission for Sustainable Development (2023), vii, 47 pp.

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State of Internet Freedom in Africa 2023. A Decade of Internet Freedom in Africa: Recounting the Past, Shaping the Future

CIPESA (2023), 71 pp.

"This special edition honours the efforts of various state and non-state actors in the promotion of internet freedom in Africa. The report takes a deep dive into the dynamic landscape of internet freedom on the African continent and offers contextual information and evidence to inform ICT policymaki ... more

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Violations of Media Freedoms in Palestine: Annual Report 2023

Sherine Al-Khatib

Palestinian Center for Development and Media Freedoms (MADA) (2023), 142 pp.

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Vibrant Information Barometer: Europe & Eurasia
Deep Insights

Washington, DC: IREX; USAID (2023), 355 pp.

"The 2023 Europe and Eurasia Vibrant Information Barometer (VIBE) covers 18 countries throughout Europe, Eurasia, and Central Asia. With VIBE, IREX strives to capture a modern and evolving media space where people are simultaneously producers, transmitters, consumers, and actors in the information t ... hat influences their lives and environments. This year’s edition focuses on the media and information space across the countries in the study during calendar year 2022, capturing the impact of the Kremlin’s February full-scale invasion of Ukraine. VIBE looks at four principles of information vibrancy: Principle 1: Information Quality; Principle 2: Multiple Channels: How Information Flows; Principle 3: Information Consumption and Engagement; Principle 4: Transformative Action: How Information Drives Behavior. VIBE includes 20 indicators that capture the most important elements of these four principles, and it relies on information from country experts who complete a VIBE questionnaire, provide scores for sub-indicators that support each of the 20 main indicators along with evidence to justify their scores, and then contribute to a panel discussion led by a moderator [...] For countries in Europe and Eurasia (E&E) included in this year’s publication, country-level scores were, again, mainly split into two VIBE classifications: Somewhat Vibrant (North Macedonia, Montenegro, Kosovo, Armenia, Moldova, and Ukraine) and Slightly Vibrant (Albania, Bosnia and Herzegovina, Georgia, Russia, and Serbia). Azerbaijan and Belarus held the lowest scores in E&E, putting them in the Not Vibrant classification. In Central Asia, this year’s study put Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan in the Slightly Vibrant category. Turkmenistan’s score of 1 put it in the Not Vibrant classification. At the overall score level, some countries--including Armenia, Bosnia and Herzegovina, Ukraine, and Moldova—saw increases in their scores. Others such as Serbia, North Macedonia, Kosovo, and Montenegro received the same country-level scores as they did in the 2022 VIBE study. Finally, other countries—including Albania, Azerbaijan, Belarus, Georgia, and Russia—experienced a decline in their country-level scores. Principle 1’s (Information Quality) lowest scores tended to fall in the indicator examining insufficient resources for content production and harmful information. Rapidly evolving models for financing media, declining advertising in traditional print and broadcast media, international tech giants siphoning off advertising funds, and local and global inflationary pressures, have all contributed to a financing desert for media. Many media are reliant on political or business benefactors for livelihood, while others look to international funding agencies for their survival." (Executive summary, page 7) more

Artificial Intelligence Index Report 2025 Deep Insights

Vibrant Information Barometer: Europe & Eurasia Deep Insights

Vibrant Information Barometer: Europe & Eurasia Deep Insights

Artificial Intelligence Index Report 2025
Deep Insights

Vibrant Information Barometer: Europe & Eurasia
Deep Insights

Vibrant Information Barometer: Europe & Eurasia
Deep Insights