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Russia-Ukraine War <2014-
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Russian Media in the Balkans and their Role in the Aggression against Ukraine. Case Study: RT Balkan
Potsdam: Friedrich Naumann Stiftung (2024), 37 pp.
"The study presented here [...] is not limited to generalised theses and descriptions of the Balkan media scene under Russian influence that only scratch the surface. Rather, the focus is on documenting the effectiveness of Russian state media in the region with a focus on Serbia, which also has an
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Two Years On: An Analysis of Russian State and Pro-Kremlin Information Warfare in the Context of the Invasion of Ukraine
London: Institute for Strategic Dialogue (ISD) (2024), 25 pp.
"This report provides an overview of how Russian state and pro-Kremlin propaganda undermining international support for Ukraine has evolved over the two years since the beginning of the full-scale invasion on 24 February 2022. It outlines a range of semi-covert tactics through which Russian state an
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No relief from war: The use of humour in memes by the government of Ukraine and the limitation of laughter
International Journal of Media & Cultural Politics, volume 20, issue 1 (2024), pp. 3-26
"The article is interested in the role of humour employed in memes on X by the government of Ukraine in the war following the invasion by Russia in 2022. It brings insights from cultural and humour studies as well as psychology into politics and shows how and what kind of humour the government aroun
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“Voices from the Island”: Informational annexation of Crimea and transformations of journalistic practices
Journalism, volume 25, issue 3 (2024), pp. 528–546
"After the annexation of Crimea by Russia in March 2014, the peninsula experienced a progressive transition of telecommunication and broadcasting infrastructure under Russian influence, followed by a wave of repression of Ukrainian media. Between 2014 and 2015, dozens of Ukrainian media organization
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Russian Collective Identity Construction in State Media During Russia’s Full-Scale Invasion of Ukraine
Global Media Journal - German Edition, volume 14, issue 1 (2024), 20 pp.
"In the evolving landscape of communication technology, the interplay between media and collective identity becomes crucial due to its ability to shape the socio-political dynamics of nations. This article aims to address the role of collective identity construction in Russian state media, arguing t
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Der russische Angriffskrieg gegen die Ukraine in den deutschen Medien: Kritik des Maßstabs „ausgewogene Bewertung“ in Inhaltsanalysen
Publizistik, volume 69 (2024), pp. 455-493
"Inhaltsanalysen über die Darstellung von Konflikten in den Medien werden häufig durchgeführt, um den Vorwurf der Einseitigkeit empirisch zu überprüfen. Dies wirft die normative Frage auf, wie die Forderung nach einer ausgewogenen Bewertung, d. h. einer Gleichverteilung positiver und negativer
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Hate Speech on Social Media: A Global Approach
Covilhã (PO); Qutio (EC): LabCom; University of Beira Interior; PUCE Publications Centre (2023), 302 pp.
"Hate speech is more complex and diverse on social media. It spreads at high speed and can impact behaviors beyond the borders where it originates. Hate is ubiquitous, interactive, and multimedia. It is available 24/7, reaching a much larger audience. On social media, haters can be anonymous and fin
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Narrative über den Krieg Russlands gegen die Ukraine (NUK)
Bonn; Berlin: Bundeszentrale für politische Bildung (bpb); Institute for Strategic Dialogue (ISD) (2023), 30 pp.
"Zwischen dem 19.09.2022 und 18.09.2023 wurde das Projekt „Narrative über den Krieg Russlands gegen die Ukraine“ (NUK, im Folgenden NUK) vom Institute for Strategic Dialogue (ISD Germany) im Auftrag der Bundeszentrale für politische Bildung/bpb umgesetzt. Ziel des Projekts war es, Desinformati
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War Discourse on TV: A Glimpse into Russian Political Talk Shows (2014 and 2022)
Zeitschrift für Slawistik, volume 68, issue 3 (2023), pp. 375-397
"This article examines the war discourse on Russian television, particularly in political talk show broadcasts aired after Russia’s invasion of Ukraine on February 24, 2022. The question of how the two conflicting parties, Russia and Ukraine, are portrayed verbally and visually in these shows is s
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Media and the war in Ukraine
New York: Peter Lang (2023), xii, 238 pp.
"This volume aims to deepen understanding of the dynamic intersections of war and media in the rapidly transforming media ecology and the reordered geopolitical context. The volume examines the ways in which the digital media and communication environment is involved in and shape the war in Ukraine.
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The War of Narratives: Ukraine’s Image in the Media
Kyiv: LLC «Vistka»; Friedrich-Ebert-Stiftung (FES) (2023), 146 pp.
"In order to spread Russian narratives about Ukraine that create a false impression of the country among external and internal audiences, the Russian Federation uses a whole complex of information and communication channels. Their main task is to replace the target audience's existing ideas about th
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Fabricating a war? Russian (dis)information on Ukraine
International Affairs, volume 99, issue 5 (2023), pp. 2015-2036
"Propaganda has been an age-old part of warmongering. It is thus no surprise that the Russian invasion of Ukraine was preceded by, and continues to be fuelled by, propaganda transmitted by state-controlled Russian media. What is more unusual about the Russian (dis)information campaigns is the sheer
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Shielding Democracy: Civil Society Adaptations to Kremlin Disinformation About Ukraine
Washington, DC: National Endowment for Democracy (NED) (2023), 30 pp.
"This report highlights adaptations and innovations by Ukrainians in their struggle against Moscow’s disinformation machine. As part of the project, the International Forum on Democratic Studies conducted more than fifty expert interviews and hosted a series of convenings with experts from Ukraine
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Der regionale Blick. Medien in Tatarstan und Baschkortostan und Russlands Krieg gegen die Ukraine
Russland-Analysen, issue 441 (2023), pp. 13-18
"Der Beitrag analysiert die Berichterstattung über den Angriffskrieg gegen die Ukraine in den russischen Teilrepubliken Tatarstan und Baschkortostan, welche sich beide durch die starke Präsenz von turksprachigen Bevölkerungsgruppen auszeichnen. Die Medienanalyse ergab, dass die Berichterstattung
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Humour as a Strategic Tool Against Disinformation: Ukraine’s Response to Russia
Oxford: Reuters Institute for the Study of Journalism (2023), 35 pp.
"Ukraine has been building its capacity to use humour as a strategic communications tool since Russian first invasion in 2014. After Russia launched the full-scale war in February 2022, this often grassroots effort was multiplied by many new actors joining it. Foreign supporters of Ukraine stepped i
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Digital Warfare and Peace: Learning from Ukraine’s Response to the Russian Invasion
Tokyo: Toda Peace Institute (2023), 15 pp.
"Before launching a full-scale invasion of Ukraine on February 24, 2022, Russia had maintained a low-scale war with Ukraine since early 2014. That conflict, which culminated in the annexation of the Crimean peninsula and the ongoing Donbas war, received less international attention than the 2022 ful
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Russia’s Rising Military and Communication Power: From Chechnya to Crimea
Media, War & Conflict, volume 16, issue 2 (2023), pp. 135-152
"Most scholars working on Russia’s use of strategic narratives recognize the importance of the Russian state. Nevertheless, the authors argue that much of the attention on strategic narratives has given insufficient appreciation for how Russia has developed its military and media policies in a coo
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