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Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Global Nollywood: The Transnational Dimensions of an African Video Film Industry
Bloomington: Indiana University Press (2013), viii, 371 pp.
Cine latinoamericano: Producción y mercados en la primera década del siglo XXI
Buenos Aires: Directores Argentinos Cinematográficos (DAC) (2012), x, 346 pp.
Media Piracy in Emerging Economies
New York: Social Science Research Council (SSRC) (2011), 425 pp.
"This publication is the first independent, large-scale study of music, film and software piracy in the developing world, with a focus on Brazil, India, Russia, South Africa, Mexico and Bolivia. Based on three years of work by some thirty-five researchers, the study tells two overarching stories: on
...
Outside the Machine? Donor Values and the Case of Film in Tanzania
In: Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), pp. 160-177
Melodrama, subjetividad e historia en el cine y televisión chilenos de los 90
Santiago de Chile: Universidad Católica de Chile, Facultad de Comunicaciones (2009), 304 pp.
Tamil Cinema
Communication Research Trends, volume 28, issue 4 (2009), pp. 3-27
"India, unlike the USA, has multiple centers of production just as its languages and cultures still maintain their identities in India instead of being amalgamated into a singlular overarching popular culture as appears in the Los Angeles-dominated film industry of the United States. Even with produ
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East Asian Screen Industries
London: British Film Institute (bfi) (2008), vi, 202 pp.
Global Bollywood
New York; London: New York University Press (2008), vi, 314 pp.
"Welche Faktoren für die Produktion eines afrikanischen Films in Namibia nötig sind, wird in der vorliegenden Diplomarbeit analysiert. Gegenstand ist die Darstellung der Filmwirtschaft Namibias mit all ihren Aspekten, Vor- und Nachteilen. Sehr konkret wird die Entwicklung der letzten Jahre und des
...
Nollywood: The Video Phenomenon in Nigeria
Oxford; Ibadan; Bloomington: James Currey Publishers; HEBN Publishers; Indiana University Press (2008), xii, 147 pp.
Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV
London; Berkeley; Los Angeles: University of California Press (2007), x, 341 pp.
Production Costs of Audiovisual Works in Developing Countries
Paris: UNESCO (2007), 110 pp.
"This study aims at facilitating cost determination and levels of support for local content production in developing countries. It is based on the collection of detailed production costs for feature films for theatrical or television release, television fictions and works of animation, documentaries
...
Brand Bollywood: A New Global Entertainment Order
New Delhi: Sage (2006), 226 pp.
"Based on original research, this book draws on the author's personal observations and extensive discussions with film makers, media professionals and market players. It is backed by data from a variety of surveys, audit studies and annual reports. Derek Bose uses these sources to arrive at conclusi
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Medienpolitik für Europa
Wiesbaden: VS Verlag für Sozialwissenschaften (2006), 384 pp.
Cine argentino: Entre lo posible y lo deseable
Buenos Aires: Ediciones CICCUS, 2a ed. actualizada (2005), 375 pp.
Kino der Angst: Terror, Krieg und Staatskunst aus Hollywood
Stuttgart: Schmetterling-Verlag (2005), 637 pp.
Mythos Globalisierung: Warum die Medien nicht grenzenlos sind
Wiesbaden: VS Verlag für Sozialwissenschaften (2005), 252 pp.
"Trotz aller erkennbarer Zeichen der "Globalisierung" ist das Feld der internationalen Kommunikation, ist die "Informationsgesellschaft" in den meisten Bereichen noch immer ein Nebenschauplatz der öffentlichen Kommunikation. Ob Auslandsberichterstattung, Satellitenfernsehen, das Internet, Filmprodu
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