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Journals
Output Type
Cinéma Divinité: Religion, Theology and the Bible in Film
London: SCM (2005), xvii, 373 pp.
Kirche und Film im Dialog: Fünfzig Jahre INTERFILM 1955-2005 = Church and Film in Dialogue: Fifty Years INTERFILM 1955-2005
Frankfurt am Main: Gemeinschaftswerk der Evangelischen Publizistik (GEP) (2005), 165 pp.
"Founded on the 22nd of October, 1955, in Paris, by pioneers of Protestant film work, INTERFILM is an international network of Church film and media institutions as well as dedicated individuals with the goal of coordinating dialogues between Church and film. Directed by the terms and aims of the Wo
...
Wenn Gott ins Kino geht: 50 Filme, die man kennen muss
Wuppertal: Brockhaus (2004), 224 pp.
Lesebuch Christliche Publizistik
Erlangen: Verlag Christliche Publizistik (2004), 237 pp.
Indian Popular Cinema: A Narrative of Cultural Change
Stoke on Trent: Trentham Books, 2nd ed. (2004), xiv, 161 pp.
"This is a historical and cultural survey of Indian cinema written by a social scientist and a film historian. The reader is provided with the social, political, religious and cultural context of India over nine decades [...] it is low on theory and high on description." (European Journal of Communi
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Jewish Film Festival Berlin: Filme, Bilder, Geschichten. Die ersten zehn Jahre
Berlin: be.bra Verlag (2004), 160 pp.
"Nicola Galliner, die Gründerin und Leiterin des Jewish Film Festival Berlin (JFFB), hat nun im Bebra Verlag den Jubiläumsband herausgegeben, um die Geschichte einer Dekade dieses in Deutschland einzigartigen Filmfestes zu gebührend zu würdigen. Verschiedenste Kulturschaffende und Wissenschaftle
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Popularkino als Ersatzkirche? Das Erfolgsprinzip aktueller Blockbuster
Münster: Lit (2004), 416 pp.
"Die Autorin untersucht aktuelle Blockbuster-Filme, um zu allgemeingültigen Erfolgskriterien für Popularfilme zu gelangen. Dabei wird aufgezeigt, daß Blockbuster unsere Sehnsüchte, Wünsche und Ängste unter Zuhilfenahme mythisch-symbolischer Gestaltungselemente beantworten. Zudem fungieren die
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The Hidden God: Film and Faith
New York, NY: Museum of Modern Art (2003), 299 pp.
"The Hidden God, which accompanies a film series of the same name organized by The Museum of Modern Art and screening in October and November of 2003, explores the ways in which a sense of God may appear in films, whether or not it is understood as such or is visible to the eye. This book contains o
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Representing Religion in World Cinema: Filmmaking, Mythmaking, Culture Making
New York; Basingstoke: Palgrave Macmillan (2003), vi, 272 pp.
Traumfabrik Bollywood: Indisches Mainstream-Kino
Bad Honnef: Horlemann (2003), 214 pp.
Film as Religion: Myths, Morals, and Rituals
New York: New York University Press (2003), viii, 289 pp.
Mediating Religion: Conversations in Media, Religion and Culture
London; New York: T&T Clark (2003), xv, 407 pp.
"This is the first book to bring together many aspects of the interplay between religion, media and culture from around the world in a single comprehensive study. Leading international scholars provide the most up-to-date findings in their fields, and in a readable and accessible way. Some of the to
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Cinema e chiesa: I documenti del magistero
Cantalupa (IT): Effata (2002), 454 pp.
"Suddiviso in tre sezioni (testi dei Pontefici, atti della Curia romana, documenti della Chiesa italiana), il volume presenta lo sviluppo cronologico degli interventi della Chiesa sul cinema offrendo per ciascuno di essi una nota sintetica per una corretta comprensione. Sono raccolti non solo i docu
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Film: An International Bibliography
Stuttgart: Metzler (2002), 479 pp.
Religion im Film: Lexikon mit Kurzkritiken und Stichworten zu 2400 Kinofilmen
Köln: Katholisches Institut für Medieninformation (KIM), 3., erw. und durchges. Aufl. (1999), 765 pp.
Explorations in Theology and Film: Movies and Meaning
Oxford: Blackwell (1999), 276 pp.
"Brings together theologians, biblical scholars, film and media specialists, and experts in language and literature to look at how theology can work with film in a creative way. The book shows that theological debate is not the preserve of an elite but happens outside the Church as well as within it
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Vom Gottmenschentum zum neuen Menschen: Subjekt und Religiosität im russischen Film der zwanziger Jahre
Trier: WVT Wissenschaftlicher Verlag Trier (1997), 208 pp.
"Was zunächst paradox erscheint, die sich streng materialistisch gebende Kunst der zwanziger Jahre nach religiösen Mustern und Strukturen zu untersuchen und ihr Menschen-Bild im Bezug zu religiös-philosophischen Konzepten der russischen Intelligenz, vor allem der symbolistischen Bewegung, zu betr
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Imaging the Divine: Jesus and Christ-Figures in Film
Kansas City: Sheed & Ward (1997), 337 pp.
The book is divided into two parts - the films which depict Jesus and those films in which Jesus becomes a metaphoric Christ-figure [...] It is a good reading, extremely well researched, and for the most part clear about its own limitations.
