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Filmsprache: Einführung in die interaktive Filmanalyse

Alice Bienk

Marburg: Schüren (2008), 220 pp.

"Die Einführung bietet eine systematische Übersicht über die das Medium Film konstituierenden Elemente wie Bild, Montage, Ton, Erzählperspektive etc. Gestaltung und Wirkung dieser Elemente werden nicht nur theoretisch erläutert, sondern auch anhand signifikanter Beispiele aus einschlägigen Fil ... more

Google Scholar (69)

WorldCat (71)

Grundkurs Fernsehanalyse

Werner Faulstich

Paderborn: Fink (2008), 237 pp.

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WorldCat (63)

Comic-Analyse

Jakob F. Dittmar

Konstanz: UVK (2008), 210 pp.

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Using Content Analysis to Measure the Influence of Media Development Interventions: Elections Training for Journalists in Yemen

Sonia Whitehead, Esther Saville

London: BBC World Service Trust (2008), 8 pp.

"The findings from this research reveal the complexity of delivering journalism training and the challenges involved in capturing evidence of impact. Content analysis is a useful tool for measuring change in media output. It can both inform training delivery and provide evidence of improvements to o ... more

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WorldCat (73)

Media and Film Studies: Handbook

Vivienne Clark, Peter Jones, Bill Malyszko, David Wharton

London: Hodder Arnold (2007), x, 292 pp.

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Know Your Audience: A Practical Guide to Media Research

Dennis List

Upper Sturt: [author], 3d ed. (2007), 384 pp.

"The first six chapters of this book give you the background information you need to understand how to do an audience survey to a high standard. The explanation is based on the standard face-to-face survey method, where trained interviewers speak directly to audience members. You can use the informa ... more

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Google Scholar (69)

WorldCat (63)

Genre Studies in Mass Media: A Handbook

Art Silverblatt

Hoboken: Sharpe (2007), xiv, 258 pp.

"The text focuses on the process of genre analysis, using the selected approaches discussed. The book provides examples and analyses of genres in an effort to support, illustrate, and extend any abstract concepts that have been introduced. More important, it gives students the theoretical tools to c ... more

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Google Scholar (68)

WorldCat (71)

Medieninhalte: Eine Einführung

Markus Maurer, Carsten Reinemann

Wiesbaden: VS Verlag für Sozialwissenschaften (2006), 279 pp.

"Der Band ist eine systematische und grundlegende Einführung in die Medieninhaltsforschung in Deutschland. Der erste Teil beschäftigt sich mit der quantitativen Inhaltsanalyse als Methode und gibt dem Leser Kriterien an die Hand, die ihm die Beurteilung der Qualität und die Interpretation von inh ... more

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WorldCat (63)

Érase una vez ... análisis crítico de la telenovela

Betty Martínez Ojeda, Clarena Muñoz Dagua, María Cristina Asqueta Corbellini

Bogotá: Corporación Universitaria Minuto de Dios (Uniminuto) (2006), 200 pp.

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WorldCat (77)

Media Discourses: Analysing Media Texts

Donald Matheson

Maidenhead: Open University Press (2005), x, 206 pp.

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Medienpädagogik: Eine Einführung in Theorie und Praxis

Bernward Hoffmann

Paderborn: Schöningh (2003), 473 pp.

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WorldCat (67)

Storytelling in Film and Television

Kristin Thompson

Cambridge, Mass.: Harvard University Press (2003), xiii, 172 pp.

"Popular films and television series tell stories in an entertaining, easily comprehensible fashion. They seem simple, yet often the audience must keep track of several characters, multiple plot lines, motifs, and thematic meanings. Television viewers often face the additional challenge of frequent ... interruptions—for commercials, for week-long gaps between episodes, and even for stretches of time between seasons. Yet they manage, remarkably, to keep track of not only a single long-running narrative, but often several simultaneously. How do film and television writers juggle the need for graspable, enjoyable stories with the many restrictions imposed by their respective commercial formats? How do those two art forms differ in the ways they tell stories? [...] Because television programs typically face far greater restrictions of time and format than films, the storytelling tactics of television often appear extremely simple, especially in situation comedies and dramas with only one or two plotlines. Since the 1980s, dramas with multiple storylines have been praised as introducing complexity into narrative television. I shall argue, however, that good situation comedies and “simple” dramas often in fact also have an underlying complexity. Indeed, many of the interesting aspects of storytelling are hidden in television in a way that they are not in most other arts. We watch television via single episodes, and those episodes may be unremarkable. Yet television is structured in ways that become apparent only if we take the long view. Multiple-episode programs structure narratives within episodes, across seasons, and across a potentially lengthy succession of seasons. To some extent, both classical films and television programs hide their own cleverness in a show of simplicity. In television particularly, the complexity fades into the tenuous connections across a series. Similarly, the virtues of the individual episode— compact exposition, swift progression from cause to effect, establishment of material for future entries in the series—make little impression unless one pays keen attention or undertakes actual analysis, either of the episode or across the season. My first chapter tackles the issue of how one might do that sort of close narrative analysis within episodes ..." (Preface, page ix-x) more

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Media Monitoring Manual
Key Guides

Snjezana Milivojevic

London: Media Diversity Institute (2003), 108 pp.

"The manual is organised to follow the major phases of the monitoring process chronologically. Its first aim is to present and discuss a possible way of developing a research instrument appropriate for the content analysis of the newspaper press. References throughout the text relate the monitoring ... more

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WorldCat (52)

Dictionnaire d'analyse du discours

Patrick Charaudeau, Dominique Maingueneau (dir.)

Paris: Seuil (2002), 661 pp.

"L'Analyse du discours est une nouvelle discipline apparue dans les années soixante, et qui se trouve aujourd'hui au cœur de l'ensemble des sciences humaines et sociales. Son objet, le «discours», n'est rien d'autre que le langage lui-même, considéré comme activité en contexte, construisant ... more

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WorldCat (72)