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Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
Bloomington: Indiana University Press (2009), x, 441 pp.
"Ashish Rajadhyaksha argues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. Taking as his timeframe the era of celluloid, which is also marked by public experiences of spectatorship and uses
...
Global Bollywood
New York; London: New York University Press (2008), vi, 314 pp.
Media Consumption and Everyday Life in Asia
New York; London: Routledge (2008), 238 pp.
"This book explores people's everyday experience of the media in Asian countries in confrontation with huge social change and transition and the need to understand this phenomenon as it intersects with the media. It argues for the centrality of the media to Asian transformations in the era of global
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The Bollywood Reader
Maidenhead: Open University Press (2008), xi, 301 pp.
Media on the Move: Global Flow and Contra-Flow
Abingdon; New York: Routledge (2007), 267 pp.
"Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organisations operate are becoming increasingly global. The surge in transnational traffic in
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Brand Bollywood: A New Global Entertainment Order
New Delhi: Sage (2006), 226 pp.
"Based on original research, this book draws on the author's personal observations and extensive discussions with film makers, media professionals and market players. It is backed by data from a variety of surveys, audit studies and annual reports. Derek Bose uses these sources to arrive at conclusi
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Das Bollywood-Fanbuch
Augsburg: Weltbild, 2nd ed. (2006), 224 pp.
100 Bollywood Films
London; New Delhi: British Film Institute (bfi); Lotus Collection (2005), x, 251 pp.
Realität und Illusion: Der indische Film im Globalisierungsstrudel
Düsseldorf: DGB Bildungswerk (2004), 52 pp.
Traumfabrik Bollywood: Indisches Mainstream-Kino
Bad Honnef: Horlemann (2003), 214 pp.
The Cinematic Imagination: Indian Popular Films as Social History
New Brunswick, NJ: Rutgers University Press (2003), xvi, 258 pp.
"India produces more films than any other country in the world, and these works are avidly consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities in Australia, Britain, the Caribbean Islands, and North America. Jyotika Virdi focuses on how this dom
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Media Worlds: Anthropology on New Terrain
Berkeley: University of California Press (2002), xvi, 413 pp.
Encyclopedia of Indian Cinema
New Delhi: Oxford University Press; National Film Archive of India, 2nd ed. (1999), 658 pp.
"Most of the facts in this book are gleaned from available sources, representing the most reliable ones we could find for each of India’s cinemas (the sources are listed below). Many of these are what we earlier called, somewhat dismissively, ‘official’. Given the nature of the Indian film ind
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