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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Der Frauenfilm: Filme von und für Frauen
München: Heyne (1985), 287 pp.
Women of Color: A Filmography of Minority and Third World Women
New York: Garland (1985), 338 pp.
"This book aims to acquaint the reader with English-language films whose characters include a woman of color, specifically an American woman character who belongs to a minority group or a woman of the Third World," explains Oshana. Even, as in many cases, when the role is played by a white woman, it
...
Los programas chilenos de TV infantil
Santiago: Corporación de Promoción Universitaria (CPU) (1985), 112 pp.
AV-Medien zum Thema Dritte Welt
Stuttgart: Evangelisches Zentrum für entwicklungsbezogene Filmarbeit (EZEF) (1984), 84 pp.
Weder Western - noch Eastern: Das andere Kino in Asien
Bremen: edition con (1984), 81 pp.
Film Industries in Latin America: Dependency and Development
Norwood, New Jers.: Ablex (1984), 134 pp.
"Within the larger framework of economic, politics and culture of the film industry in Argentina, Mexico, Brazil, Chile and Bolivia, Schnitman discusses problems of production, distribution and exhibition 1930-1980, showing emergent patterns which are both contradictory and complementary. Background
...
AV-Medien: Dritte Welt für Kinder
Stuttgart: Evangelisches Zentrum für entwicklungsbezogene Filmarbeit (EZEF) (1984), 40 pp.
Geschichte des Films ab 1960, Bd. 4: Osteuropa, Lateinamerika, Afrika, Asien, Australien, Nordamerika
Reinbek bei Hamburg: Rowohlt (1983), pp. 327-652
Le cinema au Mali
Bruxelles: OCIC (1983), 84 pp.
Minas Gerais: Ensaio de filmografia
Belo Horizonte: Prefeitura de Belo Horizonte, Secretaria Municipal de Cultura e Turismo (1983), 430 pp.
"A chronology of activity relating to cinema in the state of Minas Gerais, 1903-1983, with detailed information on films made there and brief plot summaries." (Ann Hartness, Brazil in Reference Books 1965-1989. Scarecrow Press, 1991)
The New Latin American Cinema: An Annotated Bibliography 1960-1980
New York: Smyrna Press (1983), 80 pp.
"Includes bibliographies; filmographies; books in Spanish, Portuguese and English; general articles and articles on Argentina, Bolivia, Brazil, Chile, Cuba, Jamaica, Mexico, Nicaragua and Venezuela; Hispanic cinema in the U.S.; and a listing of film periodicals in Spanish, Portuguese and English. Ab
...
La Haute-Volta et le cinema
Bruxelles: OCIC (1983), 86 pp.
Medienhandbuch Friedensarbeit: Filme, Videos, Dias
Köln; Tübingen: Jugendfilmclub Köln; Verein für Friedenspädagogik (1983), 440 pp.
Le cinema au Senegal
Bruxelles: OCIC (1983), 170 pp.
O cinema brasileiro e o processo político e cultural, de 1950 a 1978: Bibliografia e filmografia crítica e seletiva. Enfase no Cinema Novo e Glauber Rocha com entradas na área da política e da cultura
Rio de Janeiro: Empresa Brasileira de Filmes (EMBRAFILME) (1982), 290 pp.
"An extensive unannotated bibliography of monographs, periodical articles, and film reviews on films of the Cinema Novo period and the Brazilian director Glauber Rocha. The bibliography/filmography is preceded by an introduction describing sources for research on Cinema Novo and Glauber Rocha, and a
...
Handbuch des lateinamerikanischen Films
Frankfurt am Main: Vervuert (1982), 298 pp.
Der Film in den sowjetischen Unionsrepubliken
Frankfurt am Main: Kommunales Kino (1982), 176 pp.
Third Cinema in the Third World: The Aesthetics of Liberation
Ann Arbor, Mich.: UMI Research Press (1982), 147 pp.
"Third Cinema filmmakers equate film with a weapon and view the act of filming as more than a political act," says Gabriel in this explanation of a new cinematic movement based on the rejection of traditional Hollywood films in favor of those of social and political relevance, especially where the T
...
Historia del cine en Bolivia
La Paz; Cochabamba: Los amigos del Libro (1982), 376 pp.
El cine boliviano según Luis Espinal
La Paz: Editorial Don Bosco (1982), 209 pp.
"He dividido este texto en tres partes claramente diferenciadas: La primera "Espinal: el testimonio de una obra ejemplar" es una aproximación al hombre, siempre desde la perspectiva de su trabajo profesional en el campo del cine, aunque he tratado, sobre todo en el acápite segundo de esta parte, d
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