"An Introduction to Distance Education is a comprehensive look at the field of distance education, outlining current theories, practices, and goals that are essential to effective design, delivery, and navigation. As an alternative pedagogical approach, distance education is posited to meet the evol ... ving demands for access, affordability, and quality in higher education. This fully revised and updated second edition reviews the history of distance education while addressing its current influence on the education sector. Utilizing a student-guided approach, each chapter offers pedagogical features to engage and support the teaching and learning process, including: questions for reflection, review and discussion: students can use these questions as triggers for further thoughts related to the topic. Instructors can use these questions for classroom and online discussion key quotations: strategically placed throughout the text, these points act as a springboard for further reflection and classroom discussion concept definitions: central concepts discussed in the text are defined or students at the end of each chapter." (Publisher description) more

"Feminine identity has always been complicated by race and class in South Africa. The history of beauty pageants, like sporting contests, demonstrates the extent to which culture and contemporary politics intertwine. Examining the cover model choices of women’s magazines offers a fruitful means of ... tracking the complex interplay between beauty, power and politics. This paper explores cultural endorsements of femininity as they are represented on the covers of one of South Africa’s oldest women’s magazines. Using a content analysis of the covers of Fairlady from 1985 to 2005 the paper asks questions about how Fairlady mediated ideas about beauty, race, gender and nationhood in recent history. The paper reveals the essential role of the popular media in communicating the values of Nelson Mandela’s Rainbow Nation. It finds that this role is highly contradictory, however, and the representation of women is shaped by socio-political and cultural shifts and racialised discourses of beauty, often linked to other cultural industries. The paper argues that this ambiguous relationship to the political transition is partly a result of the inherently racist structures of globalised consumer culture, which have an ever-greater influence on the choice of cover model in the post-apartheid period." (Abstract) more