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Observatorio Iberoamericano de Ficción Televisiva OBITEL 2023. As produtoras independentes e a internacionalização da produção de ficção televisiva na Ibero-América = Las productoras independientes y la internacionalización de la producción de ficción televisiva en Iberoamérica
Top Insights
Santiago de Chile: Ediciones Universidad Católica de Chile (2023), 367 pp.
"Probablemente, el indicador más elocuente del descenso en la producción es que, sumados, los mismos países produjeron en 2022 un 54% de lo que producían en 2012. El gráfico 3 muestra las caídas ocurridas en cada país. A nivel agregado, los niveles de producción de 2012 son similares a los
...
Ibero-American Observatory of Television Fiction Obitel 2022: Transformations in the Seriality of Ibero-American Television Fiction in Times of Streaming
Top Insights
Santiago de Chile: Ediciones Universidad Católica de Chile (2022), 382 pp.
"In some of the countries, to a greater extent Spain and the Hispanic USA, fiction consistently occupies at least 40% of the programming time. This occurs in countries that, due to income levels, should be those with a higher degree of access to other sources of fiction audiovisual content, such as
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Observatório Ibero-Americano da Ficção Televisiva OBITEL 2022: Transformaciones en la serialidad de la ficción televisiva iberoamericana en tiempos de streaming
Top Insights
Santiago de Chile: Ediciones Universidad Católica de Chile (2022), 373 pp.
"En algunos de los países, en mayor medida España y los EE.UU. Hispanos, la ficción ocupa de un modo consistente al menos el 40% de los tiempos de programación. Esto, en países que por niveles de ingreso deberían ser los con un mayor grado de acceso a otras fuentes de contenidos audiovisuales
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La Ficción Televisiva Latinoamericana en Tiempos de Cambio (2015-2021)
Series: International Journal of TV Serial Narratives, volume 7, issue 2 (2021), 97 pp.
Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2021. Ficção televisiva ibero-americana em tempos de pandemia. Ficción televisiva iberoamericana en tiempos de pandemia
Top Insights
Santiago de Chile: Editorial Universidad Católica de Chile (2021), 483 pp.
"La comparación con los años previos pone en evidencia el brutal desplome de la producción durante 2020 a raíz de los confinamientos y otras restricciones debidos a la pandemia de COVID-19. Tomada como un todo, la exhibición nacional de estreno cayó respecto de 2019 en un 41%, pero en algunos
...
The Routledge Handbook to the Culture and Media of the Americas
London et al.: Routledge (2020), xix, 493 pp.
"The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensive understanding of how inter-American communication is constituted, fram
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Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2019. Modelos de distribuição da televisão por internet: Atores, tecnologias, estratégias
Top Insights
Porto Alegre: Sulina (2019), 390 pp.
Precarious Creativity: Global Media, Local Labor
Oakland, Calif.: University of California Press (2016), x, 324 pp.
A Multilayered Transnational Broadcasting Television Industry: The Case of Latin America
International Communication Gazette, volume 76, issue 3 (2014), pp. 211-236
"The transformation of the U. S. Hispanic and Latin American television industrial landscape is slowly reshaping the composition of interregional programming flows, with an increasing presence of transnational corporations competing in different modalities in national markets. While long-standing do
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Zapping TV: El paisaje de la tele latina
Top Insights
Bogotá: Centro de Competencia en Comunicación para América Latina Friedrich-Ebert-Stiftung (FES) (2013), 331 pp.
"Ugly Betty" and the Emergence of the Latina/o Producers as Cultural Translators
Communication Theory, volume 21, issue 4 (2011), pp. 392-412
"A critical examination of Betty's adaptation process sheds light on the disjuncture between global television distribution trends and national television markets' business cultures. The process of bringing the "ugly duckling" format to the English-language mainstream media market can be better unde
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