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Global Photographies: Memory – History – Archives
Bielefeld: transcript (2018), 208 pp.
Afrikabilder: Kontinuitäten und Brüche - Geschichte und Gegenwart des kolonialen Blicks in der deutschen Medienlandschaft
Bildungsvereinigung Arbeit und Leben Bremen (2018), 87 pp.
Religion, Media, and Marginality in Modern Africa
Athens, Ohio: Ohio University Press (2018), ix, 320 pp.
"Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondenc
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Methodology: Using digital media for youth engagement and active citizenship
Youth e-Perspectives on Migration Project; Media Actie Kuregem - Stad (MAKS); Telecentre Europe; Telecentar (2017), 97 pp.
The Dignity of the Gypsies
Karl-Markus Gauß; Siva Prasad; Franz Salm; Georg Sporschill (Contrib.)
Berlin: Hatje Cantz (2017), 273 pp.
PhotoVoice: Facilitator’s Guide
Rutgers (2016), 132 pp.
"PhotoVoice: A creative and effective tool for purposes such as monitoring, participatory research, data collection and capacity building. This guide has been developed to help you prepare, organise and facilitate a PhotoVoice training course in low, middle and high-income countries." (Back cover)
Handlungsempfehlungen für eine diversitätssensible Mediensprache
Frankfurt am Main: Goethe-Universität (2016), 94 pp.
"Im ersten Teil der Broschüre geht es um übergreifende Themen wie die Verwobenheit der Diversitätsdimensionen, die Möglichkeit, Diversität durch Binnenpluralität herzustellen, den Zusammenhang von Bildkomposition und Hierarchien und um die Besonderheiten des Mediums Video. Der zweite Teil beha
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Olhares em foco: Fotografia participativa e empoderamento juvenil
Covilhã (PO): Universidad da Beira Interior (2016), 366 pp.
Mächtige Bilder: Zur Dekolonisierung des Blicks in der angolanischen Fotografiegeschichte
Fotogeschichte, volume 36, issue 141 (2016), pp. 15-24
"Im Folgenden gebe ich zunächst einen kurzen historischen Überblick über die bedeutsamen Genres und Momente der angolanischen Fotografiegeschichte, bevor ich mich ausgewählten Beispielen der rezenten künstlerischen Fotografie intensiver widme. Beides ist wichtig, um zu verstehen, wie in Angola
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Photography in Latin America: Images and Identities Across Time and Space
Bielefeld: transcript (2016), 242 pp.
"Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologie
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Untold Stories: The Socio-Cultural Life of Images in Qajar Era Iran
Wien; Berlin: Lit (2015), 149 pp.
Der europäische Bildersaal: Europa und seine Bilder - Analyse und Interpretation zentraler Bildquellen
Bonn: Bundeszentrale für politische Bildung (bpb) (2015), 190 pp.
"Welche Bilder prägen unser Gedächtnis? Bilder nehmen im „visuellen Zeitalter“ eine herausragende Bedeutung für europäische Identität, Geschichtsbewusstsein und Geschichtskultur ein. 14 Bildquellen – Gemälde und Fotografien –, die in den aktuellen Schulgeschichtsbüchern europäischer
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100 ejercicios de fotografía
Blog del Fotógrafo (2015), 116 pp.
Whose Pictures Are These? Re-Framing the Promise of Participatory Photography
London: Doctoral Thesis Goldsmiths University of London (2015), 259 pp.
"Participatory photography initiatives promise to ‘empower’, ‘give voice’ and ‘enable social change’ for marginalised communities through photography. This thesis questions this promise, demonstrating participatory photography to be a contested practice defined as much by inherent tensio
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Bild: Ein interdisziplinäres Handbuch
Stuttgart; Weimar: Metzler (2014), vii, 484 pp.
"Vom Tafelbild über den Film bis zum 3D-Bild. Bilder überfluten uns in allen Bereichen der Gesellschaft, der Umgang mit digitalen Bildern wird immer wichtiger. Seit dem Pictorial oder Iconic Turn haben sich auch die Kulturwissenschaften des Themas angenommen und eine Wissenschaft vom Bild und der
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Visual Propaganda and Extremism in the Online Environment
Carlisle, Pennsylvania: U.S. Army War College Press; Strategic Studies Institute (2014), x, 242 pp.
"Visual images have been a central component of propaganda for as long as propaganda has been produced. But recent developments in communication and information technologies have given terrorist and extremist groups options and abilities they never would have been able to come close to even 5 or 10
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Wer erzählt? Fotografie und Macht
iz3w, issue 343 (2014), pp. 16-40
"Im Kontext einer nord-süd-politisch relevanten Information interessiert besonders die Frage der Repräsentation, der Klischeebildung, der Ermächtigung. Ein Foto kann empathisch aufmerksam machen oder zur Schau stellen, aber auch Nähe erzeugen, berühren. Nicht immer folgt auf eine gute Absicht e
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Using Visual Storytelling for Women's Empowerment
Media Development, volume 60, issue 3 (2013), pp. 25-29
"Communicators who work with photography and video in the development context know the power visuals can have in bearing witness to the reality people living in poverty face. When contextualized, visuals can transcend distance and create a global dialog around topics in need of deeper understanding
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Aprende a hacer fotos mejores con 365 consejos de fotografía
Blog del Fotógrafo (2013), 204 pp.
Image Politics in the Middle East: The Role of the Visual in Political Struggle
London; New York: Tauris (2013), xii, 248 pp.
"Politics in the Middle East is now ‘seen’ and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region - and particularly with the politics of the image, i
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