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Buñuel, Luis (1900-1983)
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Aufblende: Gespräche über das sowjetische Filmschaffen
Brussels; Graz: OCIC; Styria (1990), 155 pp.
Dicionário de cineastas brasileiros
São Paulo: Art Editora (1990), 408 pp.
"Information on 850 directors and 3000 films. The author conducted 300 interviews during the process of compiling the work. Each entry cites names, facts, dates, and works. Also includes a general bibliography and filmography. Excellent source." (Latin America and the Caribbean: A Critical Guide to
...
Handbuch des brasilianischen Films
Frankfurt am Main: Vervuert (1988), 160 pp.
The Telenovela and Emancipation: A Study on TV and Social Change in Brazil
Amsterdam: Royal Tropical Institute (KIT) (1988), 287 pp.
"This ambitious, broad-ranging study of one of the world's most interesting genres laudably tries to cover the telenovela industry, its creative process, the contents of novelas, and their reception by the working class. Besides having the descriptive richness one might expect of a book-length case
...
Sub-Saharan African Films and Filmmakers: An Annotated Bibliography = Films et cinéastes Africaines de la région Subsaharienne: Une bibliographie commentée
London et al.: Hans Zell Publishers (1988), 401 pp.
Le cinema africain de A à Z
Brussels: OCIC (1987), 206 pp.
Third World Film Making and the West
Berkeley: University of California Press (1987), xiii, 381 pp.
"This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output
...
Cinema and Social Change in Latin America: Conversations with Latin American Filmmakers
Austin: University of Texas Press (1986), xvi, 302 pp.
Luis Espinal y el cine
La Paz: CIMCA (1986), 134 pp.
La aventura del cine boliviano 1952-1985
La Paz: Editorial Gisbert (1985), 354 pp.
"Este libro tiene tres niveles, el más importante es el análisis y la interpretación de lo que significa desde el punto de vista de su sentido y de sus contenidos el cine boliviano contemporáneo, el otro tiene que ver con la visión histórica del periodo 1952-1985. En ambos el autor ha buscado
...
Die Fremden sehen: Ethnologie und Film. Anläßlich der Filmreihe 'Die Fremden sehen, Ethnologie und Film' des Filmmuseums im Münchner Stadtmuseum vom Januar bis April 1984
München: Trickster Verlag; Filmmseum München (1984), 224 pp.
Le cinema au Senegal
Bruxelles: OCIC (1983), 170 pp.
Le cinema au Mali
Bruxelles: OCIC (1983), 84 pp.
La Haute-Volta et le cinema
Bruxelles: OCIC (1983), 86 pp.
Historia del cine en Bolivia
La Paz; Cochabamba: Los amigos del Libro (1982), 376 pp.
Handbuch des lateinamerikanischen Films
Frankfurt am Main: Vervuert (1982), 298 pp.
Ideología e poder no ensino de comunicação
São Paulo: Cortez & Moraes (1979), 294 pp.
Glauber Rocha e a experiência inacabada do cinema novo
São Paulo: Editora Paz e Terra (1977), 169 pp.
Dicionário de cineastas
São Paulo: Global (1977), 469 pp.
"An international directory of film producers, directors, technicians, and others prominent in the production of films. A good source of information on leaders in the Brazilian film world." (Ann Hartness, Brazil in Reference Books 1965-1989. Scarecrow Press, 1991)
