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Opus: Database dedicated to national legislation concerning the promotion of European audiovisual works across Europe
Council of Europe European Audiovisual Observatory (2025)
"This database provides a comprehensive overview of how EU member states, Iceland, Liechtenstein, Norway, Switzerland and the UK have transposed key articles of the Audiovisual Media Services Directive (AVMSD), on the promotion of European and independent works, specifically Articles 13 (media servi
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Mujer, diversidad y cine en Colombia: Perspectivas de género e imágenes de la mujer en el siglo XXI
Bogotá: Editorial Universidad del Rosario (2023), xv, 381 pp.
"La representación de la mujer en el cine de Colombia ha tendido a estar asociada a nociones de sumisión, victimización o sexualización, sugiriendo una cierta uniformidad, invisibilidad y repetición acerca de su existencia social y cinematográfica. A pesar de esta complejidad cultural e histó
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Incentivos tributarios para las industrias creativas: Guía práctica
Bogotá: Centro Regional para el Fomento del Libro en América Latina y el Caribe (CERLALC); Friedrich Naumann Stiftung (2023), 54 pp.
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968-1991
Suffolk: Boydell & Brewer (2020), xvi, 292 pp.
"In one of the first cultural acts to follow independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country where many people had little previous experience of cinema, the INC was tasked to "deliver to the people an image of the p
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Funding Guide for Arab Producers
Beirut DC; Terso (2019), 121 pp.
Latin American Film Industries
London; New York: Bloomsbury; British Film Institute (bfi) (2019), ix, 193 pp.
"Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, compe
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European Film and Television Co-Production: Policy and Practice
Cham: Palgrave Macmillan (2018), xxiii, 365 pp.
"This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media land
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Handbook of State Aid for Film: Finance, Industries and Regulation
Cham: Springer (2018), xxx, 666 pp.
"This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today’s global challenges in the film industry such as industry
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Public Financing for Film and Television Content: The State of Soft Money in Europe
Strasbourg: Coucnil of Europe European Audiovisual Observatory (2016), 108 pp.
"In total, a yearly average of EUR 2.53 billion went to the 214 funds in a sample including 33 countries (Albania and Russia could not be tracked for this indicator) between 2010 and 2014 (a proportioned average of 196.2 funds a year, since not all the funds tracked existed over the entire period).
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Coprodução no Ibermédia: Uma análise dos filmes brasileiros coproduzidos com apoio do fundo entre 2003 e 2013
In: Cinema em português: VII jornadas
Frederico Lopes, Paulo Cunha, Manuela Penafria (eds.)
Covilhã: Livros LabCom (2015), pp. 87-100
"O fomento à produção cinematográfica em regime de coprodução tem sido uma saída para os países latinoamericanos que pressionados em sua cadeia produtiva pela hegemônica indústria cinematográfica norte americana têm dificuldades em desenvolver suas cinematografias. Desde da década de 19
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The Media in Europe's Small Nations
Newcastle upon Tyne: Cambridge Scholars Publishing (2014), xi, 183 pp.
"What are the particular characteristics of the media in small nations? What challenges do broadcasters and other media institutions in these countries face, how can these be overcome, and are there advantages to operating in a small national context? How are small nations represented on screen, and
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Taking Nigeria to the Movies: The Innovative Regulatory Role of the National Film and Video Censors Board
Journal of African Media Studies, volume 5, issue 3 (2013), pp. 261-274
"The National Film and Video Censors Board (NFVCB) of Nigeria [...] has powers that go beyond film classification and censorship. This has been manifested especially through its attempt to regularize film distribution in Nigeria through the introduction of a distribution framework. Many resented thi
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The Future of State Aid
IRIS Plus (European Audiovisual Observatory), issue 3 (2012), 43 pp.
Cine latinoamericano: Producción y mercados en la primera década del siglo XXI
Buenos Aires: Directores Argentinos Cinematográficos (DAC) (2012), x, 346 pp.
Funding Guide for Arab Documentary Producers
Beirut: DOCmed; Euromed Audiovisual (2012), 66 pp.
Os Moçambicanos perante o cinema e o audiovisual: Uma historia político-cultural do Moçambique colonial até à República de Moçambique (1896-2010)
Top Insights
Maputo; Holsbeek: Dockanema; Afrika Filmfestival (2011), 677 pp.
"This is the first monograph on the history of film culture ever for lusophone Africa. It consists of three parts: the colonial period (1896-1974), the first years of independence (1975-1991) and the years of the liberalization of the media (1992-2010). In these three periods attention is given to t
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Public Funding for Film and Audiovisual Works in Europe
Strasbourg: European Audiovisual Observatory; Council of Europe (2011), 155 pp.
"From influential national film agencies to smaller-scale local initiatives, this report provides a unique overview of the geographical spread, scale and scope of direct public funding to the sector in 37 European countries. Focussing on film funds and their activities in support of film, television
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Implementing the UNESCO Convention of 2005 in the European Union
Brussels: Directorate-General for Internal Policies European Parliament (2010), 103 pp.
"This study provides a summary of the state of implementation of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions of 2005. Focusing on fields in which the EU is expected to provide leadership or coordination, it is intended to provide ideas and long-term
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), vii, 248 pp.
You Call This a Media Market? The Role of the State in the Media Sector in Slovenia
Ljubljana: Peace Institute (2008), 200 pp.
