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Cinéma sénégalais: Évolution thématique du discours filmique dans les oeuvres de Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka et Alain Gomis
Doctoral Thesis Louisiana State University (2004), vii, 154 pp.
Enciclopédia do cinema brasileiro
São Paulo: Editora SENAC, 2a ed. (2004), 582, 80 pp.
Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
Austin: University of Texas Press (2003), xvii, 323 pp.
Traumfabrik Bollywood: Indisches Mainstream-Kino
Bad Honnef: Horlemann (2003), 214 pp.
Bilder aus dem Reich des Drachen: Chinesische Filmregisseure im Gespräch
Bad Honnef: Horlemann (2002), 237 pp.
Liberated Cinema: The Yugoslav Experience, 1945-2001
Bloomington: Indiana University Press, 2nd ed. (2002), xiv, 285 pp.
"Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated
...
Mirada al cine cubano
Brussels: OCIC (1999), 153 pp.
Encyclopedia of Indian Cinema
New Delhi: Oxford University Press; National Film Archive of India, 2nd ed. (1999), 658 pp.
"Most of the facts in this book are gleaned from available sources, representing the most reliable ones we could find for each of India’s cinemas (the sources are listed below). Many of these are what we earlier called, somewhat dismissively, ‘official’. Given the nature of the Indian film ind
...
Brasiliens bewegende Bilder: Die Entwicklung der brasilianischen Film- und Fernsehwirtschaft unter besonderer Berücksichtigung staatlicher Interventionen
Frankfurt am Main et al.: Peter Lang (1998), 586 pp.
Les cinémas de l'Inde
Paris: L'Harmattan (1998), 543 pp.
"Ce guide répertorie quelque 1200 films et 800 réalisateurs dans leur contexte régional, culturel et sociopolitique et les "usines à reves" de Bombay, Madras, Calcutta, Hayderabad, Bangalore, Trivandrum, de l'Orisaa ou de l'Assam himalayen. Une importante bibliographie et des index de réalisate
...
Encyclopedia of Chinese Film
London: Routledge (1998), 504 pp.
"The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cul
...
Allegories of Underdevelopment: Aesthetics and Politics in Modern Brazilian Cinema
Minneapolis; London: University of Minnesota Press (1997), viii, 285 pp.
"Focusing on a variety of filmmaker's use of narrative allegories for the “conservative modernization” Brazil and other nations underwent in the 1960s and 1970s, Ismail Xavier examines the way Cinema Novo transformed Brazil's cultural memory. Includes discussions of Black God, White Devil, Land
...
Geschichte des chinesischen Films
Stuttgart: Metzler (1997), 313 pp.
"Beschreibt und analysiert das chinesische Kino im späten Kaiserreich und in der Republik (1896-1949), die Filmproduktion der Volksrepublik China unter Mao Zedong (1942-1978), das chinesische Kino zur Zeit Deng Xiaopings (1978-1996), das Avantgardekino der 80er und 90er Jahre sowie das chinesische
...
VIII Festival de Cine de Viña del Mar, Chile 8 al 13 de Enero 1996
Viña del Mar: Festival de Cine (1996), 93 pp.
Etat des lieux du cinéma en Afrique: La Tunisie 1995
Ougadougou: FEPACI (1995), 272 pp.
Fields of Vision: Critical Applications in Recent Philippine Cinema
Quezon City: Ateneo de Manila University Press (1995), x, 165 pp.
Brazilian Cinema
New York: Columbia University Press, 3rd expanded ed. (1995), 491 pp.
Der brasilianische Film: Ein Mythos im freien Fall?
In: Brasilien heute: Politik, Wirtschaft, Kultur
Dietrich Briesemeister, Gerd Kohlhepp, Ray-Güde Mertin, Hartmut Sangmeister, Achim Schrader (eds.)
Frankfurt am Main: Vervuert (1994), pp. 576-583
"Auf dem brasilianischen Fernsehmarkt halten die großen privaten Sender ihre 100 Millionen Zuschauer alltäglich überwiegend mit Eigenproduktionen bei Laune. In dieser zum eist eher quantitativ als qualitativ imponierenden Bilderproduktion führt der brasilianische Kinofilm ein Nischendasein, das
...
Peliculas chilenas
Editorial La Noria (1994), 245 pp.
Cine mudo chileno
Santiago de Chile: CENECA (1994), 207 pp.
