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The True Size of Africa
München; Völklingen: Hirmer; Völklinger Hütte World Heritage Site (2024), 320 pp.
"Our richly illustrated volume takes a multifaceted approach to the giant continent of Africa, transcending prejudices and stereotypes through cultural history and contemporary art, constant shifts in perspective, and artistic diversity: human history encounters the colonial past and the omnipresenc
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Art & Climate Justice: Voices for Just Climate Action
Amsterdam: Profundo Research & Advice; Hivos (2022), 66 pp.
"To learn how the climate justice movement can engage in, with and through art, this report aims to learn from existing climate justice advocacy work that integrates art. The outcomes of this mapping exercise are used to understand how art campaigns impact climate justice advocacy and learn how art
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South-To-South Dialogues Between Brazilian and Kenyan Artivists: Decolonial and Intersectional Feminist Perspectives
Tapuya: Latin American Science, Technology and Society, volume 5, issue 1 (2022), 19 pp.
"In this article, we analyze experiences in which Brazilian and Kenyan artivists (artists who are activists) used animation to challenge colonial hierarchies that devalue Global Southern knowledges, histories, and stories. We draw from ethnographic observations, in-depth interviews, and artivists
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Deutschland postkolonial? Die Gegenwart der imperialen Vergangenheit
Berlin: Metropol Verlag, 2., aktual. und erw. Aufl. (2021), 610 pp.
"Der Umgang mit der Kolonialgeschichte, die hierzulande lange im Schatten der Aufarbeitung des Nationalsozialismus und des Holocaust stand, unterliegt gegenwärtig einem grundlegenden Wandel. Zwar zählt auch Deutschland faktisch zu den postkolonialen Gesellschaften Europas, doch ist diese Tatsache
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Whistleblowing for Change: Exposing Systems of Power and Injustice
Bielefeld: transcript (2021), 376 pp.
"The courageous acts of whistleblowing that inspired the world over the past few years have changed our perception of surveillance and control in today's information society. But what are the wider effects of whistleblowing as an act of dissent on politics, society, and the arts? How does it contrib
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Estudios sobre consumos culturales en la Argentina contemporánea
PISAC; CLACSO; Consejo de Decanos (2016), 247 pp.
"Este libro muestra los resultados de una investigación cuyo objetivo fue explorar la producción académica sobre Consumos Culturales en la Argentina en el período 2000-2012. Con el fin de poder delimitar el alcance del estudio, en un primer momento se definieron las dimensiones que esta indagaci
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Digital Drama: Teaching and Learning Art and Media in Tanzania
New York: Routledge (2012), xvi, 255 pp.
"The aim of this book is to explore digital media and intercultural interaction at an arts college in Tanzania through innovative forms of ethnographic representation. The book and the series website weave together visual and aural narratives, interviews and observations, life stories and video docu
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The Greenwood Encyclopedia of Popular Culture: Latin America
Westport, Conn.; London: Greenwood Press (2007), xvi, 396 pp.
The Greenwood Encyclopedia of Popular Culture: North Africa and the Middle East
Westport, Conn.; London: Greenwood Press (2007), xv, 389 pp.
The Greenwood Encyclopedia of Popular Culture: Sub-Saharan Africa
Westport, Conn.; London: Greenwood Press (2007), xviii, 387 pp.
Young Digital Creators: Educator's Kit
Doyun Lee (coord.)
Helsinki: UNESCO (2006), 97 pp.
"Being creative and collaborative” is the motto of UNESCO’s Young Digital Creators (YDC). YDC is designed for young people of different cultures to collaboratively construct deeper understanding of each other’s cultural values and shared perspectives on global issues of our time. In YDC, the d
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Media and Glocal Change: Rethinking Communication for Development
Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO); Nordicom (2005), 493 pp.
Où va la créatíon artístíque en Afríque francophone?
Paris: L'Harmattan (2005), 247 pp.
Medienethik
Stuttgart; Weimar: Metzler (1998), 250 pp.
"Medienethik beschreibt und erklärt neue ethische Probleme. Zunächst werden Grundprobleme der Disziplin dargelegt, dann werden die zentralen medienethischen Positionen von Platon bis zur Theorie der Hypermedien vorgestellt. Schließlich erörtert der Autor Felder neuer medienethischer Fragestellun
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Retos de la cultura de la imagen a la pastoral de la iglesia en América Latina
Bogotá: Pontificia Universidad Javeriana (1996), 140 pp.
Revue Africaine de Communication Sociale, Vol 1, Nr. 1 = African Journal of Social Communicaton, Vol 1, Nr. 1
Kinshasa: Faculté des Communications Sociales (1996), 320 pp.
El campo cultural en Chile (1974-1993): Balance y perspectivas
Santiago: Centro de Investigación y Desarrollo de la Educación (CIDE) (1994), 53 pp.
Spécial Festival Exclusif (Festival des Arts nègres de Dakar)
Afrique (Paris), issue 55, 56, 57 (1966), pp. 34-39, pp. 29-45, pp. 35-41
"Une série d'articles consacrés au festival mondial des arts nègres, tenu à Dakar — Discours, exposés, colloques, interviews, reportages sur l'art africain en général: peinture, sculpture, danse, cinéma, musique, etc... Voir à Blaise SENGHOR: Le Cinéma Africain vers un nouveau départ, d
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